Intrepid research translates into a sometimes-intriguing narrative stuffed with mystifying detail.
The dense story of the 1596 endeavor by a powerful, litigious countess to block the opening of Shakespeare’s Blackfriars Theatre in London.
A piece of choice London real estate sent Countess Elizabeth Russell (1528-1609), one of the most learned and fiercely Puritan women in late-16th-century Europe, to petition Queen Elizabeth I’s Privy Council to prevent the opening of the Blackfriars, commanded by the playwright, his troupe, the Chamberlain’s Men, and their patron, George Carey. British Shakespeare scholar and lecturer Laoutaris (Shakespearean Maternities: Crises of Conception in Early Modern England, 2008) gets swept up in the overwhelming detail concerning these characters and their connections—e.g., Elizabeth’s two deceased husbands, one the ambassador to France, Thomas Hoby, the author of the influential Book of the Courtier, which Shakespeare would draw on; the other, John Russell, also a radical nonconformist more than a decade her junior. It was Hoby’s family property in the Blackfriars (formerly a monastery campus) that Elizabeth inhabited from 1570 onward, next to the Office of the Queen’s Revels, the hub of London’s theatrical district and an area that drew immigrant refugees from the ongoing wars of religion. These residents would support Elizabeth’s cause, and there was also the matter that Shakespeare frequently waded into explosive political material in many of his plays—e.g., in his flattery of the queen’s former favorite–turned-traitor, the Earl of Essex, in Richard II. When Elizabeth presented her document to the Privy Council, warning of “all manner of vagrant and lewd persons” consorting with the playhouse, she managed to secure the signatures of Shakespeare’s patron and his publisher, Richard Field. Plodding painstakingly through the research, Laoutaris reveals how Elizabeth's petition exploited the uneasy social conditions created by recent inflation and civil unrest. However, when one door closed, another opened—namely, Shakespeare’s legendary run at the new playhouse, the Globe.
Intrepid research translates into a sometimes-intriguing narrative stuffed with mystifying detail.Pub Date: June 15, 2015
ISBN: 978-1-60598-792-7
Page Count: 528
Publisher: Pegasus
Review Posted Online: March 4, 2015
Kirkus Reviews Issue: March 15, 2015
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
