A bold, lyrical reimagining of the Joan of Arc story.
The Maid of Orleans rises from the trauma of war in Lombardi’s historical novel, the first in a series.
Domrémy, 1424: Most families have left this war-torn village, but not the Darcs, the wealthiest tenant farmers in the area. When English soldiers raid the town, the Darcs’ 12-year-old daughter Jehanne is brutally gang-raped. Afterward, she begins to experience otherworldly fits and visions: “Whispers fill her head, whispered voices of other girls, other boys, all pushed to the ground by soldiers and discarded in pieces. Some of the voices are not speaking French, the words thicker, more glottal, odd music of tones and angles.” After three years of these phenomena, the voices give her an assignment to join the army of the Dauphin—the heir to the throne—to help him unite all of France. Her relatives think Jehanne is mad. The girl was meant to be a nun, and the idea of her fighting in the army, much less turning the tide of the war, sounds ridiculous…at least until she reveals a supernatural ability to freeze enemy soldiers in their tracks. To serve the Dauphin, however, she will have to win over his mother-in-law, the so-called Queen of Jerusalem, Yolande of Aragon, who is a keen strategist in her own right. Together, they will try to halt the loss of French territory by lifting the English siege of Orleans. Lombardi’s interpretation of Jehanne captures both the surreality of religious mysticism and the madness-inducing violence of the period. Here, she describes a hallucinatory episode: “The braided voice loud now: screams within screams. Then: a waking dream blinds her, she can barely see the priests and lawyers in their nice robes. Instead: A lance crossing a chest, teasing under armor, then leaned into, until blood spurts. Dead eyes. A crossbow splits a liver.” Rooting Jehanne’s story in sexual trauma adds a disruptive dimension to this famous history, one that the reader will be intrigued to see developed in subsequent volumes.
A bold, lyrical reimagining of the Joan of Arc story.Pub Date: May 6, 2025
ISBN: N/A
Page Count: 273
Publisher: N/A
Review Posted Online: March 4, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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