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THE FIFTH

INDOCTRINATED CITY

A remarkable tale of the frightening consequences of hatred and discrimination.

Awards & Accolades

Our Verdict

  • Our Verdict
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Citizens rebel against a British dictatorship and military forces that incarcerate people with dark skin in this dystopian novel.

Nearly a decade ago, Jack and Jenny Brackstone’s father left his family to avoid being sent to a prison camp simply because he was Iranian. As their mother is a government official, the siblings are relatively safe. But once the prime minister disbands Parliament, they must evade armed Patrol officers. While fleeing, Jack and Jenny split up. She winds up in the tunnels underneath York and surprisingly reunites with her father, who’s now part of The Fifth, a resistance group. The Fifth trains members in martial arts and weapons to combat the Booted Troops marching above them. Jack and his mother, meanwhile, take refuge with the British Liberation Army in Scotland. As Jenny tries harnessing her mental and physical strength to prove herself, Jack, as a BLA cadet, endures bullies. Although both The Fifth and the BLA are anti-government, their alliance isn’t exactly stable since not everyone is trustworthy. A battle between the rebels and soldiers seems unavoidable, and the Brackstones will have to fight to bring their family back together. Sykes delivers a distinctive but understated social novel. For example, he largely implies the racial-fueled hostility behind the prison camps. Similarly, there are few profanities and no lingering on the violence during the tale’s periodic action sequences. Still, certain scenes are potent. The Fifth raids a government-sponsored lab that cruelly experiments on gorillas, and a particularly distraught character resorts to self-mutilation. While the author’s pithy writing keeps the story moving, Sykes truly excels at unexpected turns regarding both the plot and cast. Some characters, for example, aren’t as amiable as they seem, and more than one death is genuinely shocking. This book, even with its stark ending, could either be a stand-alone or a series opener.

A remarkable tale of the frightening consequences of hatred and discrimination.

Pub Date: June 23, 2021

ISBN: 979-8-72-340973-6

Page Count: 344

Publisher: Self

Review Posted Online: May 28, 2021

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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