Look elsewhere for ninja fun—perhaps to Arree Chung’s Ninja and its sequel, Ninja! Attack of the Clan (2014, 2016).
The Master and the students from Dojo Daycare (2014) and Dojo Daytrip (2015) return for their third adventure.
Master, enjoying a snooze, wakes to strange noises and screams, “AAAH!”—over and over again, as the noises keep coming. Observant readers will, of course, see the reasons for the noises. The young students (a racially diverse bunch judging by swatches of skin and tufts of hair protruding from their ninja masks) are staging a surprise birthday party complete with hats, cake, and noisemakers. Told in rhyming verse, the story is amusing and pleasurable to read aloud. Children will enjoy seeing Master, the dojo's nominal adult, so very thrown by the secretive antics of his charges. Flat, digital figures cavort against white backdrops, brightly colored party paraphernalia and toys contrasting with the ninjas' black suits (even the Master's teddy bear sports one). The Master’s face is solid yellow and features a drooping, mouth-framing mustache that may bring Fu Manchu to mind; this visual association with an old racial stereotype is an unfortunate one.
Look elsewhere for ninja fun—perhaps to Arree Chung’s Ninja and its sequel, Ninja! Attack of the Clan (2014, 2016). (Picture book. 3-6)Pub Date: Aug. 15, 2016
ISBN: 978-1-77147-143-5
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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