by Christelle Dabos ; translated by Hildegarde Serle ‧ RELEASE DATE: Oct. 5, 2021
A cataclysmic conclusion.
With the world barreling to its end, Ophelia finds herself back at the beginning.
What’s left of the world is falling apart—literally. Unexplained sinkholes and landslides are eating away at the arks at random, with whole communities falling into the void, and all of it might be Ophelia’s fault. After their investigation at the Memorial, Ophelia and Thorn believe the key to undoing what God and the Other set in motion centuries ago and to halting the current destruction lies in Babel’s Deviations Observatory. With a supposedly straightforward mission of studying and correcting aberrations, the observatory’s secrets are nonetheless impenetrable even to Babel’s highest authorities, meaning they must be accessed from the inside. But when Ophelia is accepted into the Alternative Program and discovers the observatory’s interest in the possibility of phenomena called echoes to re-create God’s power, she finds that disrupting the ripple effect of God’s choices and repairing the world may require destroying herself. Metaphysical mystery, compellingly in the wings for most of the series, takes center stage in the quartet’s final installment. Political intrigue gracefully pivots to fraught introspection and identity turmoil, and the inertia of over 500 pages is easily overcome by the continued thrill of treachery and momentum of answers finally revealed. The focus on certain aspects of (meta)physical disability among the observatory’s participants yields some necessary nuance, but overall, disabled and non-White representation remain a series miss.
A cataclysmic conclusion. (Fantasy. 14-adult)Pub Date: Oct. 5, 2021
ISBN: 978-1-60945-697-9
Page Count: 528
Publisher: Europa Editions
Review Posted Online: Oct. 21, 2021
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by Christelle Dabos ; translated by Hildegarde Serle
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by Christelle Dabos ; translated by Hildegarde Serle
BOOK REVIEW
by Christelle Dabos ; illustrated by Hildegarde Serle
by SenLinYu ‧ RELEASE DATE: Sept. 23, 2025
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
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New York Times Bestseller
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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by Ayana Gray ‧ RELEASE DATE: Nov. 18, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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