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THE WALL AND THE WILD

This meditation on biodiversity makes its point with grace.

At the edge of Stone Hollow, Ana grows a garden.

Unlike the wild, which edges her little plot, Ana’s garden is tidy, neat, and orderly. She uses only the best seeds, tossing the discards into the wild. After planting, Ana builds a stone boundary designed to shelter her garden from the chaos beyond. Before long, her garden begins to grow, sprouting into gorgeous tall flowers and delicious fruits and vegetables. Pollinators and people come to visit. But while her visitors love the garden, Ana is still critical. She pulls out unfamiliar plants that have taken root and sorts through her seeds again, throwing everything she rejects into the wild. Then she builds her stone boundary even higher. Throughout the growing season, Ana perfects her garden and builds her wall ever higher. But the neater she makes her garden, the fewer visitors she sees—and the more she wonders whether tidiness and order ought to be her goals. Eventually, she decides to find out what’s behind the wall. Her discovery astounds her. In this sweet, simple story about appreciating wildness in all its forms, the protagonist is pictured as a dark-skinned, black-haired girl with hearing aids. The language is clear and easy to read, and the vibrant illustrations drive the story just as much as the words. (This book was reviewed digitally.)

This meditation on biodiversity makes its point with grace. (author’s note) (Picture book. 3-6)

Pub Date: Sept. 7, 2021

ISBN: 978-1-913747-43-5

Page Count: 32

Publisher: Lantana

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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IN A GARDEN

Like its subject: full of bustling life yet peaceful.

Life buzzes in a community garden.

Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.

Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)

Pub Date: Feb. 18, 2020

ISBN: 978-1-5344-1797-7

Page Count: 48

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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