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WHEN FLOWERS SING

A POETRY ANTHOLOGY

A varied and winning bouquet of personal poems.

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An eclectic poetry anthology using flowers as both subject and muse.

Curators Isobel and Blyth (Isobel also edited the collection) set a clear intention in their epigraph: these poems aim to “deepen our experience of flowers, deepen our inner life, and deepen our connections to the earth.” Their selected poems succeed on all three fronts. After an initial section (“Blossoming”) devoted to general reflections on flowers, the poems are organized into loose categories. Some are focused on particular flowers (“Roses”; “Peonies”), while others tackle concepts like wilting, autumn, and weeds. There is a diverse display of different forms throughout, from wide-ranging prose poems to haikus, focused imagistic poems, and conversational freeform verses. Divyanka Sharma, in “Flowers in Bloom,” finds solace in a single bouquet brought home: “Hope held between petals of mortal beauty. / Just a moment of delight / In a world gone to hell, where friends fight / Grand world events unspool...” Several poets compare flowers to lovers and partners, as in Tova Greene’s lovely “Lavender on My Forehead on Ash Wednesday”: “my nose is cold with winter / but my chest is full of springtime. I / realize now why you’re so easy to love: / you’re the cherry blossoms in union / square…” Other poets offer more astringent comparisons, as in the opening lines of Ella Shively’s “Love, Decaying”: “You brought me a bouquet of chemically-preserved carnations on our / first date. I kept them until they crumbled. In my journal, I sketched / the stages of decay. Curling leaves, fading petals, softening stems.” Despite the predictable repetition of themes—there is a lot of springing, blossoming, and wilting alongside major life events—each page presents something of value; a line worth underlining, a thought worth contemplating. The anthology helpfully includes a roll-call of its contributors, presenting brief bios and pointing readers to where to find more of their work online or in print.

A varied and winning bouquet of personal poems.

Pub Date: Sept. 17, 2024

ISBN: 9781949824056

Page Count: 155

Publisher: a thousand flowers books

Review Posted Online: Oct. 8, 2024

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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