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NEVER STOP WALKING

A thought-provoking and humane memoir of survival and self-discovery.

A Brazilian-born Swedish woman’s account of childhood poverty and reconciling her early trauma with her experiences in adulthood.

In 2012, Rickardsson discovered that she had suddenly “hit the wall.” Gradually, it became clear that her troubled past had finally caught up with her. Growing up, she and her younger brother, Patrick, had lived a feral existence alongside their schizophrenic single mother, Petronilia, in a series of caves just outside São Paulo. As difficult as their circumstances were, their mother still managed to make their lives bearable through her unstinting love. Eventually, the family made their way to São Paulo’s favelas, where Petronilia worked menial jobs and Rickardsson quickly learned that survival meant doing whatever it took to secure a meal. In one disturbing episode, she recounts how she inadvertently killed a young boy who tried to steal her food scraps. But the author never forgot the stolen moments of joy she experienced with other street children. Petronilia eventually left her children in an orphanage that brokered their adoption into a Swedish family. Life in Europe was far easier materially, but emotionally, Rickardsson realized she had been “split in two.” On the outside, she was Christina, the brown-skinned girl who strove to fit into a white, upper-middle-class Swedish world. On the inside, she was Christiana, the scrappy street fighter who bore the weight of a painful past. Rickardsson’s breakthrough came when she found the name of the orphanage from which she had been adopted. Seeking to bridge the gap between who she was and who she became, the author flew to Brazil to find her mother and come to terms with her past. Both candid and compelling, Rickardsson’s story is not only about a woman seeking to heal the fractures inherent in a transnational identity; it is also a moving meditation on poverty, injustice, and the meaning of family.

A thought-provoking and humane memoir of survival and self-discovery.

Pub Date: June 1, 2018

ISBN: 978-1-5039-0096-7

Page Count: 256

Publisher: Amazon Crossing

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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