Disappointing.
Four cohabiting friends take a journey to escape 100 days of rain.
The gentle creatures dress, act, and talk like kind, friendly people—and sport antlers and vaguely mouselike silhouettes. Their light-brown, white-freckled faces blend harmoniously with the muted, dreamlike landscapes. The plot is episodic; after the smallest friend, Minnie, has “the most fabulous idea in her whole life,” the friends go through a variety of adventures as they pursue a sunny picnic on top of the Blue Mountain. They initially ride horses that resemble unicorns, after which they use tools to turn a shipwrecked pirate ship into a veritable ark, collecting animals as they go. The story is long and tedious, crowded with hyperbolic words, exclamation points, and breathlessly patronizing expressions such as “Oh my” and “Oh yes.” The whimsical illustrations cannot save the verbose text. Reading the story is further complicated by the 19 interspersed sets of song lyrics from the accompanying CD. The CD includes a male voice reading the story along with mostly original ditties incorporating various styles of world music, including instruments plus several different, pleasant voices, into short, often hypnotic, songs. Single song tracks can be useful for encouraging movement or naptime with little ones; playing the text-plus-songs or reading the book aloud is unlikely to keep a child engrossed. Ironically, some of the best writing is in the lyrics.
Disappointing. (Picture book/music. 4-6)Pub Date: Sept. 1, 2021
ISBN: 978-2-925108-69-6
Page Count: 48
Publisher: The Secret Mountain
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
The book’s simplicity guarantees achievement for beginning readers.
Two kids, probably siblings, explore their surrounding world through magnification.
While the older one remains inside with a microscope, the younger prefers the outside, examining all with a large hand-held magnifying glass. “I see,” the kid declares, focusing on several insects and animals while peering through the glass. A large, blue-black ant grins up through the glass as the child states, “I see an ant.” A butterfly, a snail, and robins’ eggs similarly appear through the glass, all narrated in the short, patterned text. Arriving home with discoveries crawling and flapping behind, the explorer now declares, “We see,” to the older child. The minimalist text is perfect for emerging readers, allowing children the ability to successfully read a whole book. Each repetitive sentence with its additional new word is coupled with recognizable picture cues to help in decoding. Cepeda’s characteristically energetic artwork offers sharp-edged, jagged lines that give it a scratch-art look. The siblings are dressed nearly identically, in blue shorts and red polo shirts, and they have tousled brown hair, beige skin, and big smiles.
The book’s simplicity guarantees achievement for beginning readers. (Picture book/early reader. 4-6)Pub Date: Nov. 12, 2019
ISBN: 978-0-8234-4504-2
Page Count: 32
Publisher: Holiday House
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
A superb example of text and image telling opposing stories—and of the humor that can be found in the intersection.
A canvas depicting an assemblage of items on a tablecloth comes to life, upending traditional assumptions surrounding artistic conventions.
The book’s narrator—an earnest, light-skinned artist with curly, salt-and-pepper hair—announces, “This is a still life. A painting of objects sitting still. In a still life, nothing moves.” A close-up reveals succulent fruit, a quill pen and an inkwell, and a castlelike dollhouse. In contrast to the painter and other characters, rendered as bright, flat caricatures, the painting is portrayed with a range of colors, subtle shading, soft texture, and a wealth of detail. As the artist continues with inspired musings about stillness, two mice appear and run inside the painting. The narrator urges readers to ignore the “jammy footprints” emerging from an open jar within the painting. Next, a dragon steps forth; the painter stresses that such creatures don’t belong “in this sort of painting.” Then a valiant knight arrives to slay the dragon, and a tan-skinned princess appears on the dollhouse’s throne. Zelinsky’s hilarious, action-packed scenes—a combination of hand drawing and digital work—contrast with the narrator’s serious admonitions not to acknowledge the dragon’s desperate plea for help, nor to pay any attention as the princess uses a spool of thread to zip-line down to join the ensuing chaos. Readers will be left with plenty to laugh—and learn—about as the artist exits.
A superb example of text and image telling opposing stories—and of the humor that can be found in the intersection. (Picture book. 4-6)Pub Date: Sept. 3, 2024
ISBN: 9780063229556
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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