An unusual, resonant debut.
Some serious moral choices confront a 15-year old Chamorro boy on Guam when he discovers a Japanese soldier still in hiding almost 30 years after World War II.
It’s 1972, and Kiko has problems. He’s crazy about his classmate Daphne, but he can’t work up the courage to approach her. His grandfather appears to be developing serious dementia, and Kiko can’t control the old man when he’s assigned to watch him. He misses his brother, Sammy, an officer serving in Vietnam, and he doesn’t feel ready to go through with his upcoming confirmation into the Catholic Church. Worst of all, he learns from his grandfather that when Guam was occupied during the war, a Japanese soldier raped his mother. Meanwhile, Isamu Seto has been surviving in the jungle since the war, now living in a dugout tunnel near Kiko’s house. Seto feels unworthy because he did not commit suicide at the end of the war and still fears capture, having vowed never to surrender to the “Amerikans.” Both characters form new understandings when they encounter one another. Kohler alternates chapters between Kiko and Seto, writing Kiko’s dialogue, especially, in a dialect that rings true. Although written in simple language, the story gracefully weaves parallels between Kiko and Seto, giving it depth and complexity.
An unusual, resonant debut. (Historical fiction. 12 & up)Pub Date: Jan. 18, 2014
ISBN: 978-1-4405-6561-8
Page Count: 208
Publisher: Merit Press
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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