by Christopher Bernard ‧ RELEASE DATE: Dec. 1, 2020
A dazzling poetry collection, its intimations of doom lit by a furious clarity.
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Climate change, the Covid-19 pandemic, and Donald Trump are among the apocalyptic specters haunting these impassioned poems.
Caveat Lectorwebzine founder Bernard includes 91 poems that survey four years of anxiety and disaster in this volume. He starts with a Trump-themed cycle written as a hilariously on-the-nose infusion of Trumpian lingo into pastiches of poets, from T.S. Eliot (“November is the cruelest month, breeding / Electoral victories out of the dead land, mixing / Xenophobes and white Christians, stirring / Dull brains—and I mean dull! Sad!—with autumn rain”) to haiku master Bashō. (“You call this a what? / It doesn’t even. Look, believe me: / My poems. They rhyme.”) Bernard then drops his satirical tone to explore other dire happenings. “Spiritus” revisits the death of George Floyd. (“Underneath their knees, / in the brutal sun, / a dark form. And a voice from the feed: / ‘I can’t breathe, I can’t / breathe! I can’t breathe! I / can’t breathe!’ ”) Environmental destruction and the Covid-19 pandemic are linked in “April 2020.” (“Humankind was proving / a gorgeous catastrophe for life / on a planet the size of a pebble….We were the crown / virus enthroned in the breath of the world. / And now, in a cruelly fair reverse, / the crown virus has laid siege / to human monumentality.”) In “Faust Takes Command of the Titanic,” modern civilization is a deal with the devil, “arrogance / and desire gone round the bend with greed, / a drive toward absolute power / that can only lead to absolute annihilation.” Occasionally, hopeful notes surface, as in “Asteroid,” which likens humans to the cataclysm that wiped out the dinosaurs but wistfully concludes that, after people have destroyed themselves, “the birds—may fill the world, one day, again, with singing.” These are weighty poems on the weightiest of themes, but they are lifted by the author’s prophetic voice, lyrical sensibility, and evocative language, as in the seascape of “Beachdrift”: “Stump of a freighter out of the horizon haze / a big ugly thing / covered with cars and pickled plums and carbonated sake / in stacks on its deck like teeth or the columns at Paestum.” The result is a searing vision of a world teetering on the brink.
A dazzling poetry collection, its intimations of doom lit by a furious clarity.Pub Date: Dec. 1, 2020
ISBN: 978-1-58790-530-8
Page Count: 250
Publisher: Regent Press
Review Posted Online: Feb. 16, 2021
Kirkus Reviews Issue: April 15, 2021
Review Program: Kirkus Indie
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Lisa Scottoline ‧ RELEASE DATE: July 15, 2025
The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.
Scottoline’s latest links her great love of Italy with her long record of female-centered crime fiction.
Julia Pritzker has a presentiment that something terrible is around the corner, but she never imagines just how terrible: When her husband, Philadelphia attorney Mike Shallette, tries to protect her from a man who grabs her designer bag, he gets stabbed to death before her eyes. Julia’s grief becomes laced with guilt when she realizes that her daily horoscope had predicted a calamity she’s now convinced she could have prevented. The news from Italian attorney Massimiliano Lombardi that his late client has left her millions in cash and an estate worth nearly as much again doesn’t comfort her, but it does provide distraction—especially since she’s never heard of Emilia Rossi and has no idea why she’s been chosen as her heir. Since Julia, adopted at an early age by a couple who’ve been dead for years, wonders if Emilia might have been her biological grandmother, she travels to Chianti in hope of recovering some of Emilia’s DNA. Unfortunately, caretakers Anna Mattia Vesta and Piero Fano have burned all of Emilia’s clothing and personal items on her orders, so there’s nothing left to test. Growing convinced that the stars are directing her and that her history is rooted in Emilia’s decrepit house, Julia turns down repeated offers for the property and resolves to secure evidence confirming the relationship between Emilia and her. Now all she has to do is protect herself from the shadowy figures tracking and following her and recover from a series of vivid, hallucinatory nightmares that seem to be the cost of claiming her heritage.
The mystery plot and the Italian idyl both play supporting roles in this fairy tale for grownups.Pub Date: July 15, 2025
ISBN: 9781538769997
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
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