Next book

L.A. JUSTICE

The courtroom scenes are authoritative, of course, and as for the rest, no one can accuse Darden-Lochte of just going...

With Lochte (The Neon Smile, 1995, etc.) once more serving as copilot, O.J. prosecutor turned so-so novelist Darden (The Trials of Nikki Hill, 1999) does better in his second fictional effort.

Inevitably, it’s a courtroom drama again starring the feisty female African-American deputy D.A. for whom life is ever a bumpy path. This time out, though, Nikki Hill’s major case seems a no-brainer. Sure, the defendant is rich and powerfully connected, but it would take a far less adept prosecutor than Hill to miss nailing him—the evidence is that compelling. When Shelli Dietz is discovered shot to death, Randy Bingham III, her lover, leaps way out in front as the prime suspect. He’d just quarreled with her, Dietz’s ten-year-old son informs the police, and shortly thereafter the cops find tell-tale bloodstains (Shelli’s) on trousers Randy has attempted to hide. Without working up a sweat, Nikki gets her conviction and a chance to thumb her nose at archrival deputy DA Dana Lowery, who both hates Nikki and secretly yearns to be her. Romantically, too, Nikki’s in a rare good place, since handsome, sexy Detective Virgil Sykes teeters on the edge of commitment. At which point the authors shift into high gear, and it’s goodbye easy living for Nikki. Suddenly, body bags fill up; misunderstandings between the lovers pile up; Randy, it appears, may have been framed; Virgil and Internal Affairs play cat and mouse; a killer as monstrous as he is unlikely enters, and it all culminates in a busy, busy denouement that will leave you either breathless at its pace—or grinning at its melodrama.

The courtroom scenes are authoritative, of course, and as for the rest, no one can accuse Darden-Lochte of just going through the motions.

Pub Date: Jan. 8, 2001

ISBN: 0-446-52327-5

Page Count: 448

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Next book

CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Close Quickview