by Christopher A. Gray and Howard E. Carson ‧ RELEASE DATE: April 20, 2019
An exhilarating, globe-trekking espionage tale that delivers robust characters.
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In this thriller, Interpol seeks to shut down an organization that peddles illegal animal parts and funds terrorists.
Putting a stop to illegal game hunting is becoming decidedly more difficult for Interpol. International terrorist and smuggling groups finance the illicit hunts and in turn receive significant profits from the distribution of ivory and rhino horns. But the unknown organization “running the show” is utilizing encrypted communications that Interpol hasn’t been able to crack. Officer Michael Bishop, “on loan from the CIA,” suggests simply tracking poachers from a kill site, which is what he ultimately does in Cameroon. Indeed, he finds poachers, but his search for distributors takes him first to a warehouse in Marseille and later to New York. Interpol is already in Manhattan to locate an asset, John Logan, a Columbia University professor, mathematician, and encryption expert. He may be able to assist Interpol in gaining access to the group’s communications. At the same time, the organization is targeting Logan’s encryption algorithm. Its plan entails coercing people to help, including Columbia alum Julius Coppola, who will clear his gambling debts if he agrees to steal information. But the group also ties off loose ends by employing David Trask, formerly in the U.S. Army and CIA, who is prone to violence and has a past with Bishop. Bishop and others, such as Interpol Inspector Diane Linders, want intelligence on the head of the organization. All they need to do is track down and protect certain individuals before Trask gets to them. Though this novel features plenty of action, the story’s strength lies with Gray (Dark Nights 2, 2019, etc.) and debut author Carson’s skillfully restrained approach. For example, Marc Dominican, who works for the organization, seems personable when he initially encounters Coppola. But his sinister purpose is quickly clear when he addresses Coppola’s debt, specifying various amounts. Similarly, Trask’s attacks are chilling in their suddenness; by the time characters register that something is happening, someone is already dead. On the other end of the moral spectrum, Bishop is an admirable but formidable hero. His interrogation of a particular suspect is unnerving due to anticipation, as readers have seen Bishop question someone earlier. Meticulous descriptions of the interrogation room aptly illustrate this expectation: “There is a video camera in each of the four corners of the room, mounted exactly two meters high, usually invisible to a detainee because the cameras are in deep shadows and aimed at the pool of light thrown by ceiling mounted spots that illuminate only the table and chairs.” Regardless, Bishop is physically capable when it proves necessary, as when he coldly dispatches a handful of poachers or engages in fisticuffs. There’s a fair amount of characters in the story, and the authors assiduously detail each one. This gives deaths—and near deaths—serious dramatic impact, like the loss of an agent that unquestionably affects Bishop. Likewise, two players’ understated romance throughout is more than enough for the predictable but endearing payoff.
An exhilarating, globe-trekking espionage tale that delivers robust characters.Pub Date: April 20, 2019
ISBN: 978-1-926433-15-8
Page Count: 364
Publisher: Sunbow Press
Review Posted Online: June 13, 2019
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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