by Christopher Healy ‧ RELEASE DATE: Nov. 5, 2019
Slapstick leavens this back-stabbing adventure.
Following A Dastardly Plot (2018), the plucky heroes seek vindication and victory through a daring quest to discover the South Pole.
Although the government has sworn Molly Pepper, her inventor mother, Cassandra, and her friend Emmett Lee to secrecy regarding the truth of the World Fair—meaning they can’t claim ownership of their heroics—things should be looking up for the Peppers. But when Thomas Edison and Alexander Graham Bell fail to secure the votes to allow women into the Inventors’ Guild, which would secure Cassandra both recognition and financial rewards, the inventor goes into a funk and her daughter schemes to let the truth out. Also scheming is intrepid young investigative reporter Nellie Bly (whose constant disguises and alter egos are a running gag). Thwarted by the government, they launch a desperate gambit with the help of the Mothers of Invention to beat Bell to the South Pole, where he’s pursuing the villainous Rector. The first act’s pacing is a little off, but the characters’ frustrations with their circumstances and oppressions are tangible. As the plot (a string of treacherous betrayals) picks up, so does the humor. While racial descriptors are mainly absent (leaving most characters assumed white), people of color are present in a stop in Barbados, and African American inventor Sarah Goode returns. Furthermore, the oppression experienced by Chinese-born Emmett Lee is openly dealt with. The ending is a minor cliffhanger. A glossary-style afterword separates fact from fiction. Readers new to the series should start with Vol. 1.
Slapstick leavens this back-stabbing adventure. (Historical science-fantasy. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-0-06-234200-3
Page Count: 384
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Christopher Healy ; illustrated by Ben Mantle
by Millie Florence ; illustrated by Astrid Sheckels ‧ RELEASE DATE: Jan. 7, 2025
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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by J. Torres ; illustrated by David Namisato ‧ RELEASE DATE: Oct. 5, 2021
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by J. Torres ; illustrated by Aurélie Grand
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