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THE TREACHEROUS SEAS

From the Perilous Journey of Danger and Mayhem series , Vol. 2

Slapstick leavens this back-stabbing adventure.

Following A Dastardly Plot (2018), the plucky heroes seek vindication and victory through a daring quest to discover the South Pole.

Although the government has sworn Molly Pepper, her inventor mother, Cassandra, and her friend Emmett Lee to secrecy regarding the truth of the World Fair—meaning they can’t claim ownership of their heroics—things should be looking up for the Peppers. But when Thomas Edison and Alexander Graham Bell fail to secure the votes to allow women into the Inventors’ Guild, which would secure Cassandra both recognition and financial rewards, the inventor goes into a funk and her daughter schemes to let the truth out. Also scheming is intrepid young investigative reporter Nellie Bly (whose constant disguises and alter egos are a running gag). Thwarted by the government, they launch a desperate gambit with the help of the Mothers of Invention to beat Bell to the South Pole, where he’s pursuing the villainous Rector. The first act’s pacing is a little off, but the characters’ frustrations with their circumstances and oppressions are tangible. As the plot (a string of treacherous betrayals) picks up, so does the humor. While racial descriptors are mainly absent (leaving most characters assumed white), people of color are present in a stop in Barbados, and African American inventor Sarah Goode returns. Furthermore, the oppression experienced by Chinese-born Emmett Lee is openly dealt with. The ending is a minor cliffhanger. A glossary-style afterword separates fact from fiction. Readers new to the series should start with Vol. 1.

Slapstick leavens this back-stabbing adventure. (Historical science-fantasy. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-0-06-234200-3

Page Count: 384

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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NUMBER THE STARS

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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