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THE AFTERS

BOOK ONE

A winning cast of characters breathes life into a worn but still entertaining subgenre.

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In O’Connell’s horror series starter, the survivors of a global pandemic take a stand against the undead while also confronting fiends among the uninfected.

Charlie Billingsworth is one of the relatively few people who are immune to an airborne virus that’s wiped out most of Earth’s population. Those who have succumbed to the disease have essentially become zombies that crave living flesh. Charlie easily handles himself among the monstrous hordes as he goes on supply runs for the Community, a band of survivors who’ve settled near Boston. During a hunt for fuel, he happens upon a couple of young kids named Trey and Ellie; he immediately takes a shine to them and fights to protect them. Meanwhile, survivor Kalila Trout seeks revenge against a figure named King George, who leads a heavily armed group who recently slaughtered her post-apocalypse foundfamily. She wants revenge and may get vital assistance in her mission from Charlie, especially after King George’s minions snatch one of the children. O’Connell injects a good deal of adrenaline into the narrative: Charlie and others dodge, hide from, or scuffle with zombies while armed with guns, crossbows, or, in Charlie’s case, a trusty machete. Fans of zombie fiction won’t find much that’s new here; a later revelation involving King George’s people, for instance, comes as little surprise. Still, the author gradually adds intriguing elements that enhance the narrative and the series’ potential. Ellie, for instance, displays astonishing abilities, and a new breed of zombies threatens what few survivors are left. Charlie is an appealing and believable hero; his close-quarter fights are realistic, and his plans to keep himself and others safe don’t always work out as expected. Readers can only hope the dependable supporting cast makes it to future installments—particularly Ellie, who communicates only by whispering, and the formidable zombie-killer Big Berthaat the Community.

A winning cast of characters breathes life into a worn but still entertaining subgenre.

Pub Date: Jan. 23, 2018

ISBN: N/A

Page Count: 249

Publisher: CreateSpace

Review Posted Online: July 24, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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