by Christopher Seymour ‧ RELEASE DATE: Aug. 1, 1996
An eye-opening walk on the not-so-wild side with members of the Yakuza, Japan's 400-year-old crime syndicate. A freelance writer who is fluent in Japanese, Seymour lived and worked in Tokyo during the early 1990s. While there, he gained entree to several of the city's top mobs (gumi), subsequently connecting with gangs in Kyoto and Osaka. The author traces the underworld's roots back to 17th-century shogunate era, when itinerant gamblers preyed on the countryside. Following the Meiji Restoration (in 1867), gangsters forged links with nationalist politicians that endure to this day; they now effectively have control of the rackets—drugs, extortion, prostitution—and certain legitimate enterprises, such as gambling, nightclubs, sports, and street vending. The rigidly hierarchical Yakuza is an integral, if not precisely honored, part of Japanese society. On the evidence of Seymour's text, however, the way of the Yakuza underbosses and soldiers is neither very lucrative or exciting. While he kept close company for many months with dope dealers, gun runners, and loan sharks, they might as well have been nose-to-the-grindstone salarymen during daylight hours. Nor does there seem to be a yen's worth of difference between the two retired godfathers the author met and top corporate executives. After sundown, younger members of the outlaw bands become appreciably livelier in their pursuit of pleasure with the mainly Western and Filipina women they have turned out as carriage-trade call girls. Also intriguing are the macabre rituals of the Yakuza. Among other quaint customs, these career criminals who seldom murder rivals, let alone civilians, have massive tattoos burned into their skins (with bamboo slivers) as proofs of manhood and unit pride. While Seymour gamely tries to invest his Asian thugs with drama, he's too good a journalist to glamorize them or their surprisingly mundane lives. In consequence, the Yakuza (though celebrated in its homeland's B films and tabloid press) is still waiting for a Mario Puzo.
Pub Date: Aug. 1, 1996
ISBN: 0-87113-604-X
Page Count: 224
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1996
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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