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WRITTEN IN STONE

A JOURNEY THROUGH THE STONE AGE AND THE ORIGINS OF MODERN LANGUAGE

This study of Indo-European's primal building blocks and their interactions should be irresistible to the layman or devotee...

Stevens (Thirty Days Has September: Cool Ways to Remember Stuff, 2008) proves etymology remains a lively pursuit in this engrossing, sometimes-startling dissection of Indo-European, an ancient language that is the basis for half of the world's modern tongues.

Combining the dexterity of a linguist, a philologist's passion for the influence of words on cultural history, and a taste for the bizarre, as befits a TV critic for London's Daily Mail, the author takes us on a detailed tour of a language that is profoundly alive in our everyday speech and literature. He breaks down and analyzes its DNA, engaging in some fascinating speculations along with the more concrete reportage. Of all the languages of Europe and the Americas (including Latin and Greek), only a handful, including Basque and Hungarian, are not rooted in Indo-European. First spoken in Stone Age times 6,500 to 8,000 years ago and thought to have originated with Kurgan people on the shores of the Black Sea around 4500 B.C.E., many Indo-European words have remained unchanged in the present day—or are so little altered that readers will experience aha moments on every page. Equally surprising are the radical changes in meaning familiar words have undergone over the centuries. The book is nothing if not comprehensive, perhaps too much so. Though the chapters are punchy and brief, there is the sense that the book is somewhat overfurnished and presented in an unvarying style that, were it not for the compelling subject, would grow monotonous and wearisome. There are also some careless errors and dated notions sprinkled around. Nonetheless, such a book is quite an undertaking, and the author deserves credit for having approached it with the requisite seriousness, despite some spasms of uneven humor.

This study of Indo-European's primal building blocks and their interactions should be irresistible to the layman or devotee of origins. Stevens, an adventurer in language, demonstrates considerable prowess (from Es, to exist) in making the journey both edifying and entertaining.

Pub Date: Nov. 15, 2015

ISBN: 978-1-60598-907-5

Page Count: 272

Publisher: Pegasus

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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