Personal drama and historical tidbits combine nicely for a quick and entertaining read.
This second volume in Braun’s trilogy continues exploring the hidden histories of guests at a California bed-and-breakfast, now under new ownership.
Eighty-year-old interior designer Annie Parker has just completed her first year as the proprietor of a seven-cabin B&B that she bought on impulse while visiting Lake Arrowhead and recovering from a broken marriage. She’s been working on a long-term redecorating project for her most lucrative client, Grayson Underwood, an elegant, wealthy part-time resident. She also meets Carrie Davis, a stylish older woman who grew up in Lake Arrowhead and returned after a painful divorce to care for her elderly mother; she becomes not only a new customer for Annie, but a new friend, as well. Carrie’s mother left the lake house to her, and she’s ready to sort through decades of family keepsakes and begin redecorating—a project that unexpectedly reveals her mother’s secrets. Meanwhile, Annie and Noah Chambers, a local construction contractor, have become a couple, although neither has fully committed to the relationship, which results in jealousy and conflict. Noah believes that Grayson is interested in Annie romantically, and Annie worries that Noah’s new client, Bunny Bryant, has amorous intentions. Following the format established in the series opener, Annie and Carrie alternate narration in a story in which the cabins serve as an intersection point. Local history surrounding the Tudor House, a popular local venue for weddings, events, and musical productions, plays an important, surprising role in Carrie’s history and adds an intriguing element to the narrative; in the 1920s and '30s, it was owned by an infamous mobster and was a speak-easy retreat for Hollywood luminaries: “There were photos of Bugsy Siegel helping a woman out of a car, others of well-known actors coming up to the mountains, including Jack Benny and Jimmy Durante." Annie’s story, as in the first volume, contains an overabundance of decorating details, including schematic drawings of rooms she’s redesigning, but this time Braun places greater focus on the more engaging issue of Annie’s challenging relationships.
Personal drama and historical tidbits combine nicely for a quick and entertaining read.Pub Date: Nov. 29, 2022
ISBN: 9781647046323
Page Count: 266
Publisher: Marble Creek Press
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
