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THE DAY WE LOST PET

Name: THE DAY WE LOST PET
Author: Chuck Young
ISBN: 978-0-9987999-3-3

by Chuck Young ; illustrated by Aniela Sobieski ‧ RELEASE DATE: Dec. 5, 2017

Breathtakingly original.

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From the opening pages, with lines like “we were piles of skin laundry blending into a world of pales and fogs,” debut author Young transports readers into a world somehow familiar and simultaneously unlike any they have ever experienced.

Two balloon people inhale and exhale each other’s essences, become bonded, and create Baby. Baby’s love brings Pet into the family, an animal made from a different kind of balloon. Tragically, Pet is deflating rapidly. Baby’s parents search desperately for a cure. In this futile process, they are pulled away from each other and from Baby until Baby’s heartbreak brings everyone back together. The language of this story is utterly surreal, but its feelings are recognizable and palpable—bright love, devastating grief, and fragile hope. Debut illustrator Sobieski renders the dreamscape visible with equally poetic illustrations. Splashy watercolors and the ample use of purple and dark green create an otherworldly environment in which the characters experience completely identifiable emotions. Gender isn’t central to the story, but it’s worth noting that Young deliberately avoids gender binaries by writing in the first person and using the third person “they” to refer to the narrator’s partner. This supremely tender book is one that readers will return to again and again, if they can bear it, finding new meaning with each reading and in each new stage of life.

Breathtakingly original. (Picture book. 4-11)

Pub Date: Dec. 5, 2017

ISBN: 978-0-9987999-3-3

Page Count: 52

Publisher: Penny Candy

Review Posted Online: Oct. 29, 2017

Kirkus Reviews Issue: Nov. 15, 2017

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

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by Tish Rabe ; illustrated by Jim Valeri

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ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

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FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

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A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)