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OLIVIA GRAY WILL NOT FADE AWAY

A thoughtful, heartfelt exploration of an underrepresented identity.

A middle schooler experiences invisibility—both literally and metaphorically—as everyone around her becomes preoccupied with romance.

Seventh grader Olivia feels out of place. Everyone in her life is focused on crushes and relationships, but she’d rather spend her time drawing and watching her favorite YouTuber. Her brother, Malcolm, who’s gay, is prioritizing his new boyfriend; her friends are obsessed with a new social media app called KruShh; and everyone’s talking about who’s taking whom to the fall formal. The more Olivia, who’s cued Black, feels pressured to “like” people, the more invisible she feels, until she actually starts to flicker in and out of corporeality. Only tan-skinned Jules, her nonbinary classmate, and purple-haired, white-presenting Ms. Amelia, the new school librarian, can consistently see and hear her. Through a book club, the pair, who are ace, introduce Olivia to the idea that she might be aromantic and asexual. As she grapples with her identity, her interpersonal relationships, and her invisibility, Olivia must decide if she’ll give in to allonormative peer pressure or find a way to be seen as she truly is. Burch deftly portrays the challenges of shifting middle school friendships, effectively using the fantastical element of invisibility to highlight Olivia’s experience with external and internalized aro- and ace-phobia (Jules also periodically experiences invisibility). Olivia and Malcolm’s parents are enthusiastic allies.

A thoughtful, heartfelt exploration of an underrepresented identity. (Speculative fiction. 8-12)

Pub Date: March 17, 2026

ISBN: 9781665972628

Page Count: 272

Publisher: McElderry

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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