by Cindy Callaghan ‧ RELEASE DATE: March 7, 2017
A deeply flawed story of hidden history literally buried within a small white town.
A haunted house helps Sydney make friends in a new community.
Eighth grader Sydney Mackenzie, a white girl, arrives home from school one day to the horrifying news that her parents have decided to move across the country to Delaware. She is forced to leave her life in LA so that her parents can run a recently inherited family-owned cemetery business. After a cross-country drive, her family finally arrives in the small town of Buttermilk River Cove, population 800. Their home is something out of a scary movie: an old, weathered Victorian, with cemetery plots serving as the front lawn. Sydney decides she must do her best to communicate her California cool to the kids at her new school. She quickly learns that the local kids couldn’t care less about her being from California and are more intrigued about her living at the town cemetery. After admitting to some new friends that she believes her house is haunted, Sydney has a séance to investigate. What comes next is an unveiling of a deeper story about the Underground Railroad. Callaghan creates two stories; what at first seems to be a “new city-girl in a small town” story slowly slips from Sydney’s desperation to make friends into the haunting tale of the ghost of an enslaved girl that seems to communicate with Sydney. The story’s ending feels more than a bit contrived, stumbling badly with a tragic attempt at humor that makes a mockery of slavery and undermines what is mostly a solid book.
A deeply flawed story of hidden history literally buried within a small white town. (author’s note, recipes) (Mystery. 9-13)Pub Date: March 7, 2017
ISBN: 978-1-4814-6569-4
Page Count: 256
Publisher: Aladdin
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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BOOK REVIEW
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Natalie Babbitt ; adapted by K. Woodman-Maynard ; illustrated by K. Woodman-Maynard
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SEEN & HEARD
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