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SHADOWS REEL

Old-school Nazis, newfangled terrorists, Big Sky country—it’s all here.

International intrigue crashes into Twelve Sleep County, Wyoming.

Good news, bad news for Game Warden Joe Pickett. He’s still recovering from the physical damage he suffered in his last outing, Dark Sky (2021), but he’s been moved into a bigger, better sited house since his old one was torched. The discovery of freelance fishing guide Bert Kizer on the grounds of the Crazy Z-Bar Ranch is clearly connected to a hagiographic album of Nazi photos from 1937 that’s captured the interest of Marybeth Pickett, Joe’s librarian wife. Why would someone have tortured and killed Kizer after all these years to learn the location of the album? As Joe and Marybeth await the arrival of their three daughters for what turns out to be “the worst Thanksgiving we’ve ever had,” Joe’s old friend Nate Romanowski heads off to Colorado in the hope of catching up with Axel Soledad, the outlaw falconer who beat Nate’s wife, threatened his baby, and stole his falcons. After a few rounds of preliminary fencing, Nate realizes that Geronimo Jones, the Black Lives Matter activist who tipped him off about Soledad’s location, is a perfect partner for him. But neither of them realizes that Soledad’s activities will lead them into a lot more violence than they’re ready for and, ultimately, to a last-minute reunion with Joe, who’s called on to go up against “the Eric and Donald Trump Jr. of Hungary.” The broader political overtones aren’t an unmixed blessing, and the socko climax ends predictably, but Joe’s 22nd adventure continues to give good value.

Old-school Nazis, newfangled terrorists, Big Sky country—it’s all here.

Pub Date: March 8, 2022

ISBN: 978-0-593-33126-2

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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WANT TO KNOW A SECRET?

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Character assassination reigns supreme, if not uncontested, in a Long Island suburb.

April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Pub Date: March 3, 2026

ISBN: 9781464249600

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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