A desperately complicated setup that finally explodes into action halfway through. Is it worth it? Well, just about: the...
Intrigue and strife aboard Concord Station, centuries after the events of Hammerfall (2001).
Earth, terrified that biological nanoengineering will run amok, keeps a close eye on its Outsider counterparts who are far more willing to continue research. Concord Station orbits a planet on the boundary between human space and that of the alien ondat, who long ago smashed the planet with space rocks to prevent the spread of “nanoceles,” seeds that can drive rapid nanoevolution. Now observers from Earth, Outside, and the ondat watch events on the planet via implanted links to a group made immortal by nanotechnology: Marak Trin Tain, hero of the previous saga, the former Outsiders Ian and Luz, and the Ila, survivor of the Gene Wars. None may leave the planet. But the arrival of an armed Earth ship bearing ambassador Andreas Gide—affiliations, requirements, and authority unknown—disrupts this cozy accommodation. Station governor Setha Reaux wonders whether he can trust Planetary Office chief and Outsider Chairman Antonio Brazis; neither man knows what Kekellen, the ondat observer, wants or knows; down on the planet, the Ila at least knows more than she’s telling. Ambassador Gide, clad in an advanced environmental suit, grills young Procyon Stafford, Marak’s link, revealing that Earth suspects leakage of nanotechnology from the planet. As Procyon leaves, someone shoots the ambassador, breaching his containment; Procyon, badly shaken up, wanders off in a daze: events sparking off a desperate series of maneuvers that could precipitate another war.
A desperately complicated setup that finally explodes into action halfway through. Is it worth it? Well, just about: the plot’s going nowhere, but such is Cherryh’s storytelling skill that you almost don’t notice.Pub Date: June 4, 2004
ISBN: 0-380-97903-9
Page Count: 416
Publisher: Eos/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2004
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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