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TRANSCENDENCE

Overall, nicely done.

A girl musician who starts remembering her past lives learns that reincarnation can be dangerous, but romantic too.

Cole, who plays the cello at world-class standards, meets a dark and handsome stranger when she visits the Tower of London. There she has a vision of her own execution. Griffon rescues her when she faints. On returning to San Francisco, she learns that Griffon also lives there, and he tells her that he and she are “Ahket,” people who can remember their past lives. Meanwhile, Cole remembers more and more about a previous life as a young Italian cellist who was innocently involved in a murder over 100 years ago. Also, she learns that her cello student is a woman who just may have been the victim and who may be seeking revenge. Cole finds herself strongly attracted to Griffon. Could he be a romantic partner from an earlier time? Omololu moves the action along, revealing her plot, narrating the past-life memories in italics and inserting intriguing clues into those episodes. The classical-music motif is a welcome addition to the plot, and the reincarnation theme stands out as a nice break from the usual paranormal subject matter. That Griffon is biracial, both indicated on the cover and revealed in the text, promises another nice break, but there is no textual follow-up.

Overall, nicely done. (Paranormal romance. 12 & up)

Pub Date: June 1, 2012

ISBN: 978-0-8027-2370-3

Page Count: 336

Publisher: Walker

Review Posted Online: March 27, 2012

Kirkus Reviews Issue: April 15, 2012

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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