Top-notch and deliciously creepy storytelling.
A fresh start for a vicar and her daughter proves to be anything but.
When vicar Jack Brooks’ boss asks her to leave St. Anne’s in Nottingham for a more rural placement in the small Sussex village of Chapel Croft, it’s more an order than a favor. She’ll serve as interim vicar until a suitable replacement for the former vicar can be found. Jack’s 15-year-old daughter, Flo, isn’t thrilled to leave the city, but she knows that her mother could use some distance from a horrific tragedy at St. Anne’s that Jack feels largely responsible for. Soon after they arrive at Chapel Croft, however, they learn that their new village has more than its share of weirdness and tragedy. The vicar that preceded Jack allegedly hung himself in the chapel; Merry and Joy, two teen girls, disappeared without a trace 30 years ago; and the village is known for the Burning Girls, aka the Sussex Martyrs, who were burned at the stake in the 16th century. Additionally, Jack keeps finding strange twig dolls on the church grounds and disturbing accounts of exorcisms in her cottage’s cellar. Meanwhile, Flo glimpses strange figures in the graveyard and befriends Lucas Wrigley, a troubled boy with a shady past. Then there are the bodies that keep turning up while dark secrets emerge about a local (and very powerful) family. The author steadily cranks up the scares and the suspense while smoothly toggling between multiple narratives, including one that indicates Jack’s past may be about to catch up with her. Jack is immensely appealing: She curses and smokes, and her faith, which she explores throughout, is complicated. Luckily, Jack and Flo share a strong bond, one they’ll need in order to face what’s coming, and readers will savor the final, breathless twists.
Top-notch and deliciously creepy storytelling.Pub Date: Feb. 9, 2021
ISBN: 978-1-984825-02-5
Page Count: 368
Publisher: Ballantine
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK TO SCREEN
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
Come for the forensics, stay for the nonhumans.
A Christmas bout between Kay Scarpetta and the Phantom Slasher.
But first, Scarpetta, Virginia’s chief medical examiner, has to figure out how software designer Rowdy O’Leary died. Fished from the Potomac River on Christmas Eve six years after a hit-and-run driver left him permanently disabled and a week after he plunked down the cash for a pricey emerald ring, he fell off his fishing perch and drowned—or did he? Scarpetta’s examination of his body is cut short by two disturbing developments: the discovery of an unidentified woman’s remains buried on the grounds of Mercy Psychiatric Hospital, and celebrity TV reporter Dana Diletti’s report that the red-eyed ghost associated with the Slasher’s three murders has floated through the window of her home. She’s got video, too, and the apparition looks real and scary. The final blow to Scarpetta’s plans for a Christmas getaway with her husband, Secret Service forensic psychologist Benton Wesley, is an attack on an Alexandria home that kills Mercy psychiatrist Georgine Duvall, who used to treat Scarpetta’s niece, Lucy Farinelli, and nearly kills graduate student Zain Willard, White House intern and nephew of presidential candidate Sen. Calvin Willard. This time the Slasher’s ghost has been spotted on the scene by none other than Pete Marino, head of investigations for the medical examiner’s office and Scarpetta’s longtime sidekick. Cornwell’s use of Robbie, Zain’s robotic dog, and Janet, Lucy’s AI companion, integrates the futuristic elements she favors more successfully than in her recent outings. But the solutions to all these mysteries will leave fans of the venerable franchise pursing their lips rather than gasping in awe.
Come for the forensics, stay for the nonhumans.Pub Date: Oct. 7, 2025
ISBN: 9781538773963
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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