Fascinatingly, viscerally haunting.
An excavation of a familial cover-up illuminates broader mysteries of 20th-century Ireland.
In her 20s, Wills, a professor of English at Cambridge and the author of Lovers and Strangers and That Neutral Island, learned she had a cousin she didn’t know existed. The book begins with a cast of characters, all of whom are relatives of the author, divided into four temporal categories: the Victorians, which include Wills’ grandmother; the post-revolutionary generation; the postwar generation, which includes the author; and the next generation. “I keep returning to a story of a generation gone wrong in my own family,” she writes, “a mother not married, and a child stifled.” In the 1950s, the author’s uncle fathered a daughter (the aforementioned cousin) with his lover and, with the mother’s knowledge, abandoned both to a “mother-and-baby home.” Between 1922 and 1998, these institutions homed at least 56,000 unwed mothers and even more infants. In 2014, nearly 800 of their bodies were found in sewer chambers, which sparked a massive investigation into the inhumane conditions. “They did not survive, yet they have not gone away,” writes Wills about the mistreated mothers and children. The author describes her family’s story within this larger context: “To us, now, it seems pretty much unthinkable, yet the distance between us and the people who believed in the system (or believed enough) is very small.” Wills explores the specific ways in which inherited past lives on, offering a searing yet nuanced investigation into the lives of complicit relatives, such as her mother, as well as tender portraits of those affected. The author’s prose is stellar; her cadence complements this compelling tale, which grew increasingly complex over years of meticulous research. Ultimately, she emphasizes that “everything I’ve been describing was not out of the ordinary.”
Fascinatingly, viscerally haunting.Pub Date: April 2, 2024
ISBN: 9780374611866
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 26, 2023
Kirkus Reviews Issue: Feb. 1, 2024
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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