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JANE’S FAME

HOW JANE AUSTEN CONQUERED THE WORLD

A must for Austen bibliophiles.

An elegant exploration into the curious journey of literary celebrity, as exhibited by Jane Austen.

Austen’s rise within the literary canon is reflected in modern culture by the many film versions and derivations of Pride and Prejudice, Sense and Sensibility and others, and in the ubiquitous inclusion of her works in academic curricula. Royal Society of Literature fellow Harman (Myself and the Other Fellow: A Life of Robert Louis Stevenson, 2006, etc.) delineates the growth of Austen’s fame as both a study of the process of getting published and acclaim as a writer, as well as the actual features of Austen’s work that make it both popular and divisive. The author declares Austen to be as difficult a biographical subject as Shakespeare, in that both left behind few details of their personal lives, making their mythologies all the more of a touchstone for adulation. Harman efficiently sketches the confined circumstances within which Austen, a financially dependent spinster, wrote and revised her novels over many years before they were published. The author ably captures the imperturbable belief that Austen must have had in her talent—she continued to write new novels, even though the first one, Sense and Sensibility, was not published until a few years before her death. Although Austen had a few admirers, the initial circulation of her work was limited. It was not until a biography written by her nephew, James Austen-Leigh, was published in 1870 that interest was revived in her work on a larger scale. Harman points out the key feature of Austen’s writing that finally resulted in her canonization within English literature—her ironic artistry as a keen observation tool of the truth of human nature. Detractors, ranging from Charlotte Brontë to Mark Twain, have decried the small-scale nature of her work, the focus on ordinary life and the lack of poetry. For Harman, it is this very accessibility that has resulted in her rise to global fame.

A must for Austen bibliophiles.

Pub Date: March 2, 2010

ISBN: 978-0-8050-8258-6

Page Count: 304

Publisher: Zonderkidz

Review Posted Online: Jan. 18, 2011

Kirkus Reviews Issue: Feb. 15, 2010

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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