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THE EFFORT

An adept contribution to the realm of apocalypse fiction.

A comet called UD3 threatens to wipe out the human race, and a ragtag team of scientists from all over the world rushes to find a way to knock it off course in Holroyde’s debut.

Dr. Ben Schwartz of NASA’s Jet Propulsion Laboratory is woken in the middle of the night by a call from a famous astrophysicist. Ben is told that the U.N. has a car waiting for him outside and that he must fly to French Guiana. He isn’t told why, only that he must pack a bag and leave, now. His girlfriend, Amy, refuses to be left behind, and when the two of them get off the plane, they learn that a “dark comet” has been discovered coming around the sun and is heading straight toward Earth. Ben joins a group of scientists, including China’s brilliant Dr. Zhen Liu, who are working to cobble together something to throw the comet off its course before it can smack into Earth and cause an extinction event. As news of the comet gets out and people panic, society begins to break down, as seen through chapters focusing on a ship sailing through the Arctic Ocean and a woman struggling to survive in a decaying New York City, among others. As time goes on it becomes clear that even if the scientists manage to find a solution, humanity might destroy itself anyway. Fans of similar apocalypse stories will recognize all the beats Holroyde hits here—unlikely romance, friendships forged in trauma, etc.—but what this book lacks in originality it makes up for in proficient execution. The many character relationships would feel more organic with a bit more breathing room, but the prose is measured and clear, and the plot arcs nicely from the scientific issues to more personal stakes.

An adept contribution to the realm of apocalypse fiction.

Pub Date: Jan. 12, 2021

ISBN: 978-1-5387-1761-5

Page Count: 368

Publisher: Grand Central Publishing

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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SKY FULL OF ELEPHANTS

A plodding novel from a talented writer.

A professor and his daughter navigate a new America where all white people have died by suicide.

“They killed themselves,” explains Charlie Brunton, the narrator of Campbell’s high-concept novel. “One morning, every white person in America walked into the nearest body of water and drowned.” Charlie is a Black man who’s served time in prison, wrongfully convicted of rape; after the mass suicide of white people, he became a professor at Howard University, trying to make sense of a country with no real government or systems: “Only a fragile structure remained….” Charlie gets a phone call from his daughter, Sidney, born to the white woman he was accused of raping, asking him to drive her from her home in Wisconsin to Alabama, where she’s heard that some surviving white people are living. Sidney has internalized racism, opining that “the world got left to the heathens” and lamenting her physical similarities to her Black father. Charlie and Sidney enlist the help of a pilot to get them to the South, eventually ending up in Mobile, where they encounter a new society that neither of them expected and learn what was behind the mass suicide of white Americans. Campbell’s novel starts off fairly strong—it’s undoubtedly an interesting thought experiment—but goes off the rails quickly, sunk by the author’s often too-florid prose and unrealistic dialogue. Sidney’s transition from self-hating to enlightened is forced, and aside from the two protagonists, the characters are purely functional. This book reads less like a novel and more like an extended treatment for a television series.

A plodding novel from a talented writer.

Pub Date: Sept. 10, 2024

ISBN: 9781668034927

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE MEN

Occasionally brilliant but ultimately unsatisfying.

The author of The Heavens (2019) imagines a world inhabited solely by women.

At 7:14 p.m. Pacific time on Aug. 26, every human being with a Y chromosome disappeared. Jane Pearson wakes the next morning to discover that her husband and young son are gone. Later, she will learn that all the men, all the boys, all the transgender women…they’re all gone. This is not a new concept. Philip Wylie’s The Disappearance (1951) opens with these lines: “The female of the species vanished on the afternoon of the second Tuesday of February at four minutes and fifty-two seconds past four o’clock, Eastern Standard Time.” In Brian K. Vaughan’s Y: The Last Man series of graphic novels—the first installment published in 2002—a virus kills every man on Earth except for one. A deadly illness that strikes only men also plays a role in Christina Sweeney-Baird’s debut novel, The End of Men, published just last year. What makes Newman’s take on this SF trope different is that this novel doesn’t seem to want to be science fiction. After setting the dystopian narrative in motion, the author pulls back to offer a detailed account of Jane’s life up to this point. After joining a dance troupe as a teen, she falls under the control of a man who abuses her by compelling her to abuse other, younger kids. She escapes jail by testifying against her abuser. This is a horrifying story compellingly told, but it feels like it belongs in a different book. We also get the full history of Evangelyne Moreau, Jane’s one-time friend. A philosopher-turned-politician, an ex-convict, and a former cult member, Evangelyne is a fascinating character, but Newman spends more time sharing Evangelyne’s history than exploring the strange universe she has created. By the last page, the connection between the realistic and speculative parts of the novel is clear, but the speculative elements feel woefully underdeveloped—which is too bad, because they’re inventive and chilling. Also worth noting: There will be readers who object to the gender essentialism upon which this novel relies and the way Newman handles the fate of people who aren’t cisgender when the “men” disappear.

Occasionally brilliant but ultimately unsatisfying.

Pub Date: June 14, 2022

ISBN: 978-0-8021-5966-3

Page Count: 272

Publisher: Grove

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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