Compact but deep explorations of human vulnerability from a master of the form.
A collection of stories that explore relationships through a series of fraught encounters.
The three stories in this slim book from Keegan, one of Ireland’s most celebrated writers, examine the power dynamics between men and women through relationships, chance encounters, and sex. These stories, which span Keegan’s career, have been collected and repackaged in the wake of her Booker Prize–shortlisted novel, Small Things Like These, and the American publication of her novella Foster. The final story, “Antarctica,” in which a married woman seeks out sex while away from her family, was originally published in 1999, while the title story first appeared only last year. The stories have been carefully selected, however, to be read together; all three powerfully probe the problem of gender relations in modern Ireland and England. “Antarctica,” the darkest story, shows what lengths a man might go to in pursuit of a woman, while “So Late in the Day” explores more unconscious expressions of misogyny. Its central character, Cathal, is an unremarkable office worker whose resentment and even hatred of his fiancee, Sabine, is also depressingly unremarkable and leads to the collapse of their relationship. In the strongest story, “The Long and Painful Death,” a female writer on a retreat in Heinrich Böll’s seaside house must fend off the intrusions of a judgmental male scholar. Unlike the other two pieces in the collection, this one ends on a high note, with the writer sloughing off the man’s unwanted attentions and transforming them into art. In all three stories, however, Keegan precisely observes the subtle dynamics between men and women, be they strangers or romantic partners, and how those dynamics can shift and curdle with little warning.
Compact but deep explorations of human vulnerability from a master of the form.Pub Date: Nov. 14, 2023
ISBN: 9780802160850
Page Count: 128
Publisher: Grove
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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