Brilliant and heart-wrenching; Messud is one of contemporary literature’s best.
A family rides the waves of current events and personal conflicts across three generations.
Readers of Kant’s Little Prussian Head & Other Reasons Why I Write (2020) will recognize the autobiographical elements in Messud’s novel, but they are less important than the compelling way she has reinvented her family as fully fleshed fictional characters. Gaston and Lucienne Cassare, a French Algerian couple uprooted first by World War II and then by Algerian independence, embody for their son, François, and daughter, Denise, a loving companionship so total that both children will spend their lives looking for its equal. Denise, whose personal attachments rarely work out, clings to her parents’ devout Catholicism; François might have made a home in America—“its energy, its freedom, its carelessness” thrill him as an Amherst undergraduate—but his Canadian wife, Barbara, objects. Their peripatetic marriage survives her extended absences to care for her dying father in Toronto and the damage inflicted on his business career when she insists they leave Australia, but he can never get over the fact that Barbara always holds part of herself apart from him. Messud portrays the Cassares at key moments in their lives, beginning in Algeria as France falls in June 1940 and ranging across continents and seven decades: Geneva, Toronto, Toulon, Buenos Aires, suburban Connecticut, and New York—wherever their varied fortunes take them, with the author’s fictional stand-in, aspiring writer Chloe, and her sister, Loulou, entering as schoolgirls in 1970s Sydney. Messud paints compelling portraits of internal conflicts and tangled relationships, dropping along the way tantalizing references to crucial events that will be clarified later, in a rich narrative that defies summary. The novel reaches a poignant climax as the older generations age and die: Gaston and François succumb to physical ailments; Lucienne and Barbara descend into dementia. The marriage of François and Barbara, bitterly antagonistic but ultimately loyal, is perhaps the novel’s most wrenching depiction, but Messud’s gimlet eye and quietly masterful way with words make every character and incident gripping.
Brilliant and heart-wrenching; Messud is one of contemporary literature’s best.Pub Date: May 14, 2024
ISBN: 9780393635041
Page Count: 448
Publisher: Norton
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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