Brilliant and heart-wrenching; Messud is one of contemporary literature’s best.
A family rides the waves of current events and personal conflicts across three generations.
Readers of Kant’s Little Prussian Head & Other Reasons Why I Write (2020) will recognize the autobiographical elements in Messud’s novel, but they are less important than the compelling way she has reinvented her family as fully fleshed fictional characters. Gaston and Lucienne Cassare, a French Algerian couple uprooted first by World War II and then by Algerian independence, embody for their son, François, and daughter, Denise, a loving companionship so total that both children will spend their lives looking for its equal. Denise, whose personal attachments rarely work out, clings to her parents’ devout Catholicism; François might have made a home in America—“its energy, its freedom, its carelessness” thrill him as an Amherst undergraduate—but his Canadian wife, Barbara, objects. Their peripatetic marriage survives her extended absences to care for her dying father in Toronto and the damage inflicted on his business career when she insists they leave Australia, but he can never get over the fact that Barbara always holds part of herself apart from him. Messud portrays the Cassares at key moments in their lives, beginning in Algeria as France falls in June 1940 and ranging across continents and seven decades: Geneva, Toronto, Toulon, Buenos Aires, suburban Connecticut, and New York—wherever their varied fortunes take them, with the author’s fictional stand-in, aspiring writer Chloe, and her sister, Loulou, entering as schoolgirls in 1970s Sydney. Messud paints compelling portraits of internal conflicts and tangled relationships, dropping along the way tantalizing references to crucial events that will be clarified later, in a rich narrative that defies summary. The novel reaches a poignant climax as the older generations age and die: Gaston and François succumb to physical ailments; Lucienne and Barbara descend into dementia. The marriage of François and Barbara, bitterly antagonistic but ultimately loyal, is perhaps the novel’s most wrenching depiction, but Messud’s gimlet eye and quietly masterful way with words make every character and incident gripping.
Brilliant and heart-wrenching; Messud is one of contemporary literature’s best.Pub Date: May 14, 2024
ISBN: 9780393635041
Page Count: 448
Publisher: Norton
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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