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ITHACA

A thoroughly enjoyable exploration of Penelope’s side of the ancient story.

The queen of the gods narrates a crackling tale of secrets and intrigue.

Penelope has a problem—a few, in fact. First, there are the suitors: about a hundred men who trespass on her hospitality, waiting for her to admit that her husband, Odysseus, is dead and choose a new king of Ithaca. And then there are the pirates who’ve been harrying the coast, the fact that Ithaca has no men of fighting age to defend it, and the troubling possibility that one of the suitors has sent the pirates to pressure her into capitulating. Perhaps her biggest problem—or opportunity—is that she’s a woman, and even as a queen she’s expected to stay out of matters of state. As told by Hera, queen of the gods. Penelope’s story is one of secrets, of women working in the shadows, unnoticed and underestimated. As Penelope herself puts it, “The greatest power we women can own, is that we take in secret.” Hera is an appealingly involved narrator with a biting tongue (“Every little twerp is descended from Heracles these days”). She picks favorites, she complains, she nudges, she rails against her own reduced position among the gods. And she weaves a great yarn. More straightforward and more visceral than much of North’s recent work, this is a ground-up view of Greek myth populated by spying maids, crafty merchants, and conniving queens. It’s taut, suspenseful, and full of Hera’s delightfully dyspeptic attitude.

A thoroughly enjoyable exploration of Penelope’s side of the ancient story.

Pub Date: Sept. 6, 2022

ISBN: 978-0-316-42296-3

Page Count: 464

Publisher: Redhook/Orbit

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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NASH FALLS

Hokey plot, good fun.

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  • New York Times Bestseller

A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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