A rumination on modern happiness that rewards patient readers in the end.
A woman in tech grapples with doubts about her profession, relationship, and family while working on a project that aims to quantify happiness.
Evelyn Kominsky Kumamoto is 31 when she takes a leave of absence from her philosophy Ph.D. program to work at “the third-most-popular internet company,” where she and two co-workers are asked to develop a prototype for the self-assessment of happiness. From Evelyn’s perspective, everyone around her is better than her at being happy, from her loving boyfriend, Jamie, to her trend-forecasting college best friend, Sharky, to her father, who has his first serious girlfriend since Evelyn’s mother died almost 20 years ago. Evelyn’s mother was White and Jewish, and her father is Japanese, as is Kumiko, his girlfriend, and Evelyn’s biracial identity informs her thoughts and interactions throughout the novel. Evelyn is dogged by ambivalence in every aspect of her life, and her uncertainty raises doubts in her new boss, Dr. Luce, who unfailingly believes in the happiness project. Her vacillations come to a head when Jamie asks her to marry him—she responds, “I don’t know.” While Evelyn is considering Jamie’s proposal, she gets pregnant and, after much thought, decides to keep the baby. Punctuating these events are questions from JOYFULL, the happiness-monitoring app that Evelyn’s team helped create. The app’s questions are suspiciously specific, creating a Greek chorus–like effect that prompts Evelyn to reflect on her relationship with her parents, her career, and what it means, or would mean, for her to be happy. Evelyn’s constant ambivalence about every aspect of her life is frustrating, and she can feel like a muted and flat protagonist. She possesses an acute awareness of racial dynamics, though, and the myriad ways her biracial identity causes friction throughout the novel provide moments of wit and insight. An emotional twist in the later chapters ups the stakes and gives the reader a reason to stay engaged.
A rumination on modern happiness that rewards patient readers in the end.Pub Date: April 19, 2022
ISBN: 978-0-59-329826-8
Page Count: 256
Publisher: Viking
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An enjoyable visit with an old character, but not one of Ware’s strongest.
Travel writer Lo Blacklock is back. Ten years after the events of The Woman in Cabin 10 (2016), she's attending the opening of a lavish Swiss hotel when, once again, a mystery intervenes.
A decade after she almost died on a luxury cruise and ended up exposing a murder plot, travel journalist Laura “Lo” Blacklock is trying to get back into the business post-Covid-19 and post–maternity leave. When she's invited to an exclusive hotel launch by the Leidmann Group on the shores of Switzerland’s gorgeous Lake Geneva, her supportive husband, Judah, insists that she should go, and her old boss, Rowan, says that if Lo can score an interview with the reclusive Marcus Leidmann, she’ll publish it in the Financial Times. Leaving Judah and the kids at home in New York, Lo is surprised by a last-minute upgrade to first class, which kicks off her trip in style. The hotel is appropriately awe-inspiring in both scenic location and effortless luxury, and Lo starts to put the memories of last trip’s trauma behind her, thinking that maybe she can just enjoy the experience this time. But then, at dinner, she's surprised to see at least three guests who were also on that original cruise, and when she finds a mysterious note in her room saying "Please come to suite 11 as soon as possible," she gets another shock. To quote William Faulkner, she realizes that “the past is never dead,” and soon Lo is careening across Europe on her way to England, only to find herself embroiled in another murder. The back half of the novel offers her the opportunity to continue her amateur sleuthing, and while she avoids much of the physical danger that plagued her on the cruise a decade ago, she is in very real legal trouble. This is the prolific Ware’s first sequel, and it's fun to spend time with Lo again, as she's both savvy and kindhearted. Unfortunately, the mystery is not as atmospheric and gripping as usual for Ware, though even a lesser Ruth Ware thriller is still worth reading.
An enjoyable visit with an old character, but not one of Ware’s strongest.Pub Date: July 8, 2025
ISBN: 9781668025628
Page Count: 400
Publisher: Scout Press/Simon & Schuster
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
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