Nonconformity shines in this sweetly tender tale.
A gentle dragon learns self-acceptance.
Maurice, who’s white with pale-blue wings, isn’t like the other dragons, who love to show off their magnificent horns and their ability to breathe huge fireballs. Much like the protagonist of Munro Leaf’s The Story of Ferdinand (1936), Maurice prefers flowers to displays of machismo. He swoops through billowy grasses, a blossom tucked behind his ear, smiling serenely, as he seeks flowers to arrange into lovely bouquets. Every year, the dragons take part in a competition to see who’s the strongest. Maurice’s brother, the aptly named Gruff, usually wins. This year, Maurice decides to try his luck, too. Unfortunately, his fireball is no more than a tiny puff, and his floral-embellished horns don’t impress the judges. “I’m not strong, or brave, or scary,” Maurice reflects sadly. “I’ll never be like the other dragons.” Then Gruff goes missing during the final phase of the tournament. In a delightful twist, Maurice’s flower-weaving skills suddenly save the day and make him the star of the show. Even Gruff begins to realize that strength comes in many forms. Readers will be pleased to see that just like his beloved flowers, which flourish among the hard rocks, Maurice opens up and blooms, too. Soaring overhead perspectives and images of wide, outstretched wings capture the essence of these aerial beasts and their habitat.
Nonconformity shines in this sweetly tender tale. (Picture book. 4-7)Pub Date: May 7, 2024
ISBN: 9781664300408
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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