Nonconformity shines in this sweetly tender tale.
A gentle dragon learns self-acceptance.
Maurice, who’s white with pale-blue wings, isn’t like the other dragons, who love to show off their magnificent horns and their ability to breathe huge fireballs. Much like the protagonist of Munro Leaf’s The Story of Ferdinand (1936), Maurice prefers flowers to displays of machismo. He swoops through billowy grasses, a blossom tucked behind his ear, smiling serenely, as he seeks flowers to arrange into lovely bouquets. Every year, the dragons take part in a competition to see who’s the strongest. Maurice’s brother, the aptly named Gruff, usually wins. This year, Maurice decides to try his luck, too. Unfortunately, his fireball is no more than a tiny puff, and his floral-embellished horns don’t impress the judges. “I’m not strong, or brave, or scary,” Maurice reflects sadly. “I’ll never be like the other dragons.” Then Gruff goes missing during the final phase of the tournament. In a delightful twist, Maurice’s flower-weaving skills suddenly save the day and make him the star of the show. Even Gruff begins to realize that strength comes in many forms. Readers will be pleased to see that just like his beloved flowers, which flourish among the hard rocks, Maurice opens up and blooms, too. Soaring overhead perspectives and images of wide, outstretched wings capture the essence of these aerial beasts and their habitat.
Nonconformity shines in this sweetly tender tale. (Picture book. 4-7)Pub Date: May 7, 2024
ISBN: 9781664300408
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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