Pagan magic, Heathcliff’s back story and a lot of scary dead maids: Dunkle’s knack for the creepy (By These Ten Bones, 2005) sets spines tingling. Woodcut-style chapter-head illustrations ratchet up the spook factor, especially those depicting corpses and ghosts. When Tabby becomes the “Young Maid” at Seldom House, she finds herself in a strange world, where she is expected to do little other than look after a bloodthirsty, nameless little boy, the “Young Master.” Seldom House and the neighboring village have no church, and dead maids haunt Tabby. Gradually she realizes she and the Young Master are marked for sacrifice (“It’s an honor to be given to the land,” one of the villagers tells her). While it seems clear from the start that Tabby will survive (she narrates the story from a later vantage point), it is not until the end that the connection to Wuthering Heights becomes clear. For readers familiar with Brontë’s novel, the final connection is a masterstroke; even those who don’t get it will find this a keeper. (Horror. 12 & up)
Pub Date: Sept. 28, 2010
ISBN: 978-0-8050-9116-8
Page Count: 160
Publisher: Henry Holt
Review Posted Online: Aug. 2, 2010
Kirkus Reviews Issue: Aug. 15, 2010
Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively...
A young boy grows up in Adolf Hitler’s mountain home in Austria.
Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot’s best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war’s end he maintains that he was only a child and didn’t really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot’s inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn’t and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.
Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)Pub Date: June 7, 2016
ISBN: 978-1-62779-030-7
Page Count: 272
Publisher: Henry Holt
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
BOOK REVIEW
BOOK REVIEW
Haunting.
In 1706, 14 years after the infamous Salem witch trials, accuser Ann Putnam Jr. publicly apologized for her role; from that documentary evidence, Crane and Decker spin an airy, atmospheric graphic-novel examination of a legacy of guilt.
After the briefest of introductions, the book opens on a tormented Ann Putnam in 1706. Both her parents having died seven years earlier, she has been de facto parent to her nine siblings; shockingly, she does not miss either of them. Through visions and flashbacks, readers get a sense of the role Ann’s parents played in her crime, exploiting their 12-year-old daughter to take the land of the accused. Her fictional recollections of her victims are interleaved with abbreviated transcripts from the trials and expressed in even, formal language. All is illustrated with Decker’s fine-lined drawings that evoke both the surreal details of the accusations and the pastoral Colonial setting. His characters’ faces have just the merest hint of individuality, which is fitting for a tale of communal guilt but also has the effect of keeping Ann something of a visual cipher. More impressionistic than expository, this treatment, which closes with the text of Ann’s apology, is no substitute for a thoroughgoing narrative history, but its attempt to understand the effects of the trials on one of its villains is provocative, to say the least.
Haunting. (afterword) (Graphic historical fiction. 12-18)Pub Date: Sept. 30, 2014
ISBN: 978-1-939017-33-8
Page Count: 128
Publisher: Islandport Press
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
