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IN THE GARDEN OF MISTRESS BLOOM

An unconventional set of tales set in delightfully eccentric realities.

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A debut collection of short sci-fi fiction that explores time and space with mischievous humor.

In the title story of Curbo’s playful, intriguing compilation, Larches, a viceroy who presides over the celestial garden of Mistress Bloom, discovers a “barbed and repulsive” artichokelike globe that he recognizes as an “avatar” of the faraway planet Earth. The bloom and the planet are deeply connected, so Larches carefully protects the plant from the gardener’s blade and the Mistress’ own shears, and he hatches a plan to seed other blooms in the garden. “The 19th Frustration” finds the hapless John Y. Lipman applying for a job as a “futurologist.” As he enters his workplace—a building in which time is not linear and whose appearance keeps bewilderingly changing—he’s told that he must first witness the destruction of the city of Paris and then prevent it. In “VanLines – The Driver,” the operator of an employee van pool attempts to avoid a disaster by taking passengers back in time, and they become scavengers in a prehistoric world. “Coyote Tower” relates the adventures of two spies whose loving relationship is their only constant in an unstable world. Harold Brayner, the protagonist of “Memory of Glass,” is physically trapped by age and disability as he watches his memories play out beyond the glass wall of his kitchen. Curbo’s unpredictable narratives of parallel worlds and time slippage are strengthened by his idiosyncratic and effervescent prose; he evocatively describes Mistress Bloom’s feet, for instance, as “clops…shod in skins of black-striped winter squash,” and one of the time-traveling commuters in “Vanlines” is said to “giggle a grin.” Sometimes the quirkiness feels forced and random, as when one of the spy’s supervisors in “Coyote Tower” tosses words “like watermelon seeds” toward his listener. Also, the short story format doesn’t allow for very much development of alternate universes. However, readers who are willing to think nonlinearly may enjoy this romp through unfamiliar worlds.

An unconventional set of tales set in delightfully eccentric realities.

Pub Date: July 17, 2014

ISBN: 978-1-4975-8655-0

Page Count: 154

Publisher: CreateSpace

Review Posted Online: April 11, 2019

Kirkus Reviews Issue: May 15, 2019

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THE MOONS OF JUPITER

In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.

Pub Date: Feb. 1, 1982

ISBN: 0679732705

Page Count: 256

Publisher: Knopf

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Feb. 1, 1982

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THE COMPLETE STORIES

The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.

Pub Date: Jan. 1, 1971

ISBN: 0374515360

Page Count: 555

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1971

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