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ALL THE LIGHTS

Bleak stories of uneasy personalities, told with one foot in the surreal.

German author Meyer’s stories trace a handful of troubled lives.

This collection abounds with bad decisions, traumatic events, and ominous conclusions. In an introduction, British writer Stuart Evers observes that “the lives Meyer depicts are small ones; ones lived in the margins of society.” The story “I’m Still Here!” follows a boxer—“a Black Dutchman from Rotterdam with a mashed-up face”—as he endures existential doubt and racist abuse. It’s a vision of the sport stripped of all glamour: “He was what they called a ‘journeyman’—they brought him in so that he’d lose.” The protagonist of “Carriage 29,” meanwhile, wakes up on board a train with little sense of what he’s doing there. Some of his own actions leave him baffled; at one point he wonders, “Why would a veteran wine rep like me ever drink this plonk?” Humans aren’t the only creatures in trouble in these stories; two of the most memorable—“Of Dogs and Horses” and “The Old Man Buries His Beasts”—focus on the fraught relationship between humans and their pets. The former is particularly unnerving, as it begins with the protagonist being reminded of his dog’s mortality only for Meyer to reveal more about the depth of the bond between man and beast, laying the groundwork for a truly haunting final image. Meyer isn’t working in a wholly realistic mode throughout; there’s also the grim delirium of “The Short Happy Life of Johannes Vettermann,” which opens with a vision of a man with the head of a dog. And a reference early in the book to “one of those disturbing street lamps, one of those lamps that never stop annoying you” hints at an absurdist edge.

Bleak stories of uneasy personalities, told with one foot in the surreal.

Pub Date: July 1, 2025

ISBN: 9781916751309

Page Count: 256

Publisher: And Other Stories

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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PEOPLE WE MEET ON VACATION

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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