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THE BEST CAT EVER

Fans of Amory's delightful cat books (The Cat and the Curmudgeon, 1990; The Cat Who Came for Christmas, 1987) may find this third and final volume in the series disappointing: It's really more a memoir of Amory's college days and writing career than an account of his famed relationship with his much beloved feline, Polar Bear. This isn't to say, however, that Amory's life hasn't been interesting. As he travels with Polar Bear to reunions at Milton Academy and Harvard, we find out much about his prep school and university days. With the help of Katharine Hepburn and her family, he landed a plum editorial job right out of college with the Saturday Evening Post and soon was spending a summer in France hobnobbing with celebrities as a guest of the Duke and Duchess of Windsor. (He was supposed to ghostwrite an autobiography of the Duchess, but the project never got off the ground.) Later, Amory achieved his own fame, spending 14 years as a critic for TV Guide. (The hilarious excerpts from his 1963-76 column—write-ups on Queen for a Day, Let's Make a Deal, etc.—are one of the highlights here.) The two concluding chapters, about the declining health of both Amory and his cat—they both become arthritic; Amory gets hit by a truck; Polar Bear develops incurable kidney problems—are the most compelling, and Amory's moving account of his decision to put his dear companion of 15 years to sleep is heartrending. Happily, his eventual adoption of a new waif, Tiger Bear, ends matters on an uplifting note. Not the best cat book ever—but R.I.P., Polar Bear. (B&W line drawings throughout)

Pub Date: Oct. 26, 1993

ISBN: 0-316-03744-3

Page Count: 264

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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