A savvy melodrama, warmhearted and as astute as a lawyer’s brief.
An upwardly mobile young Manhattan lawyer and her parents react to the gentrification of their Dominican neighborhood in Natera’s debut novel.
Since her Ivy League education and job in corporate law have already made her an outsider, early signs of gentrification don’t bother Luz, who lives in the (fictional) Nothar Park neighborhood of struggling immigrants with her mother, Eusebia, and policeman father, Vladimir. Then 29-year-old Luz is suddenly laid off by her firm for no apparent cause and begins questioning her identity as a woman-of-color careerist. Meanwhile, after bumping her head in a fall, Eusebia transforms into a determined crusader, organizing Nothar Park neighbors to scare the gentrifiers away by staging arranged crimes. Formerly nurturing Eusebia becomes detached and increasingly resentful as long suppressed grief and grievances surrounding Vladimir’s original decision to move to New York resurface. They swell once she learns that he has secretly been building a retirement home for them back in the Dominican Republic. News that their apartment building is going condo and offering renter buyouts exacerbates the schism in the marriage. Vladimir is thrilled, Eusebia furiously resistant. Caught between her parents, Luz is conflicted, especially since her new lover—White, rich, and entitled but endearingly vulnerable—turns out to be the gentrifying developer. While Luz finds herself increasingly drawn into his privileged orbit, she also discovers unexpectedly meaningful joy using her legal chops gratis to solve her neighbors’ immigration and insurance problems when their involvement in Eusebia’s “crimes” backfires. As Eusebia and Luz engage in a classic mother-daughter battle over control and independence, the juxtaposition of their confused inner lives shapes the plot with unpredictable curves that confound the usual left-right political didactics. Instead, through these women, Natera plays with definitions of home and material and spiritual success, showing how the personal and political can become confused even when a cause, or a crime, seems straightforward.
A savvy melodrama, warmhearted and as astute as a lawyer’s brief.Pub Date: May 17, 2022
ISBN: 978-0-593-35848-1
Page Count: 336
Publisher: Ballantine
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.
A free-spirited woman forges a career as a writer and journalist, risking scandal and war zones to follow her heart.
Allende’s latest opens in San Francisco in 1873, introducing Emilia at age 7, the illegitimate daughter of Molly Walsh, who, as a novice nun, was seduced and abandoned by wealthy Chilean Gonzalo Andrés del Valle. Molly goes on to a successful marriage, Emilia grows up with a loving stepfather, and at 17 she begins writing, then publishing, sensational dime novels under the pseudonym Brandon J. Price. By 23, she’s a journalist with a column in The Daily Examiner, though still forced to hide her gender behind her pen name. Rule breaking is in her nature, and while she accepts, for now, lower pay than men, she decides on a trip to New York to take a lover and learns to control her own contraception. Later, finally writing under her own name, she’s commissioned to go to Chile and cover its civil war from a human angle, accompanied by colleague and friend Eric Whelan, whose focus is the military aspect. Chilean revolutionary politics make for less sprightly reading, but Emilia’s individual encounters with members of high and low society lend atmosphere. These include the president, a great aunt, and eventually her father—now alone, regretful, and mortally ill. Although he disapproves of working women, the two share a “desire to see the world and experience everything intensely,” and when he offers to recognize Emilia as his legitimate child, she accepts. Now the story gathers pace, with Emilia—always and predictably the rebel—witnessing the horrors of battle, discovering that she and Eric are in love, and getting arrested. Not quite plausibly, she instigates a further sequence of impulsive moves before the story is permitted to conclude.
An action-packed, brightly detailed historical novel not much hampered by its thinly characterized central figure.Pub Date: May 6, 2025
ISBN: 9780593975091
Page Count: 304
Publisher: Ballantine
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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