A moving portrait of a presidency and its top speechwriter.
A pertinent chronicle of the making of a president’s messages.
Keenan, who served as Barack Obama’s chief speechwriter, makes an absorbing book debut with an insider’s view of the pressured, often “fucking terrifying” workings within the White House, where he and his staff routinely put in 12-hour days, holed up in the basement “Speechcave,” crafting the president’s public statements. While focusing on 10 days in June 2015, when he worked on several high-stakes speeches, Keenan recounts his entire career, beginning in 2002, when he became an intern for Sen. Ted Kennedy, through to his promotion to Obama’s chief speechwriter in 2013. The author’s first chance at speechwriting came with Kennedy, whom Keenan praises as a public servant “of the old breed who saw politics as a noble calling, an effort that kept differences of philosophy from becoming barriers to cooperation.” When Obama entered the 2008 presidential race, Keenan’s speeches for Kennedy earned him a place in the campaign—and on Obama’s staff. In 2011, assigned to write Obama’s eulogy for those killed in the shooting that wounded Gabby Giffords, Keenan admits, “I was terrified. It would be my first prime-time, nationally televised speech” and one that “needed to stand as a surprising, hopeful, and even joyous celebration of the way the people who died had lived their lives.” The speeches that occupied him in June 2015 were equally significant: responses to the Supreme Court decision on the Affordable Care Act, same-sex marriage, and the shooting at Charleston’s Mother Emanuel Church that killed nine people, including the pastor, Clementa Pinckney. Keenan portrays Obama as a perfectionist with clear aims for tone and content. Multiple drafts, edits, and rewrites resulted in the soaring rhetoric for which the former president was noted. In his eulogy for Pinckney, “Grace was what Obama wanted to talk about…the quiet grace that sets a louder example than any shout of hatred.”
A moving portrait of a presidency and its top speechwriter.Pub Date: Oct. 4, 2022
ISBN: 978-0-358-65189-5
Page Count: 320
Publisher: Mariner Books
Review Posted Online: July 25, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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