Next book

Y2K

HOW THE 2000S BECAME EVERYTHING (ESSAYS ON THE FUTURE THAT NEVER WAS)

A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.

A cultural critic revives the kooky, tech-obsessed spirit of the Y2K era.

Journalist Shade scrutinizes and celebrates the new millennium with heart and a spicy sense of nostalgic humor. Drawing on inspired research interwoven with her own youthful coming-of-age memories of being obsessed with that digital, optimistic, futuristic aesthetic, the author recreates the spirited era when early personal technology was innocent fun—until it wasn’t. She laments that while those childhood days were personally carefree, things have become immeasurably worse in terms of climate change, inequality, and political instability. Shade’s new millennium time capsule, from one economic bubble in 1997 to another in 2008, includes the rise of websites, home personal computers, shimmery metallic-inspired MTV video pop and rap stars, and numerous milestones that all became tarnished by the atrocity of the 9/11 attacks, which collapsed the Y2K party with a sobering pause. The author employs the expertise of political scientists to remark on the rise of population diversity and queer visibility throughout the aughts and effectively integrates these social developments with her own maturing perception of the fast-emerging world around her as an adolescent. Countering the social justice movements was the “McBling” aesthetic, popularized by celebs like Paris Hilton and Britney Spears, which became a “metonym for vacuity, excess, entitlement, and celebrity culture itself.” South Park, Starbucks’ “latte liberal” discourse, and many other influences would mark the decade with humor, hijinks, consumption, self-absorbed technology, and finally a sobering recession. Shade particularly excels with an in-depth discussion on how the techno-optimistic ascension of the internet revolutionized politics, social intercourse, and “our own individual self-perception.” With the advent of social media sites, search engines, subscription content, and “anonymous and frictionless” adult website content, she notes, modern life as we knew it would never be the same. If readers can overlook the book’s dizzying nonlinear timeline, Shade’s exploration of those indelible years creates a fun, fulfilling, and rewarding time capsule.

A reflective, nostalgic, backward glance at a bygone era some recall fondly and others regret.

Pub Date: Jan. 7, 2025

ISBN: 9780063333949

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Oct. 12, 2024

Kirkus Reviews Issue: Nov. 15, 2024

Next book

HOSTAGE

A dauntless, moving account of a kidnapping and the horrors that followed.

Enduring the unthinkable.

This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.

A dauntless, moving account of a kidnapping and the horrors that followed.

Pub Date: Oct. 7, 2025

ISBN: 9780063489790

Page Count: 208

Publisher: Harper Influence/HarperCollins

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 62


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview