A vivid, engaging, if bulky fantasy in which violence carries the day.
An implacable young woman breaks royal boundaries in this medieval fantasy.
Gimlé is an island realm divided into regions of varying light. Arthur, King of the Light, Shadows, and Dark, rules from Triad Castle. He enforces the Code, laws written by Arthur the Hammer six generations ago. With Queen Sophia, his children are 10-year-old Aemond and 6-year-old Aeryn. When an upstart named Grayson begins preaching against the Code and inspiring rebels to pillage the realm, Arthur and his adviser Robert Darnald summon nearly 1,000 men from among loyal lands to stop the rebellion. Arthur’s force squashes the opposition, but a leading traitor named Murat escapes. Later, at a Council meeting of lords, Dux Bogdan Keseljevic says the Code is antiquated. He begins scheming for the throne, drawing Arthur once more into battle at the Citadel of Eternal Light. Upon Arthur’s battlefield death, Keseljevic becomes regent and demands that Sophia turn over the children. The royal family flees Triad, but only Aeryn escapes captivity. She reunites with Robert, vowing revenge against those who took her family. Growing up in the Shadows, Aeryn learns sword fighting and becomes a fearsome young woman. She forms lifelong friendships with Dux Chandrasejhar’s son, Rishi, and her companion Robyn Nakagawa. Unfortunately, Aeryn makes fresh enemies, too. Alexander’s engrossing novel is steeped in detailed medieval politics and battlefield tactics. The most prominent fantasy element is Gimlé’s strange, fixed relationship to the Eye—the planet’s star—which causes plants to move, “not with the wind, but so as to have the light of the Eye fall on the leaf.” The battles are depicted with vibrant gore, as in the line “Arthur’s next cut took off the arm that had been holding the shield.” But they do highlight Aeryn’s absence from much of the narrative’s first quarter. Though willful and imaginative, the protagonist is easily lost in the sprawling medieval panorama. Killing eventually becomes Aeryn’s signature talent as she seeks vengeance and possibly a new life. While the tale offers a rousing finale, it slights powerful queens throughout both fiction and history.
A vivid, engaging, if bulky fantasy in which violence carries the day. (map, character guide)Pub Date: Nov. 8, 2021
ISBN: 978-1-7361984-2-1
Page Count: 446
Publisher: Alton Kremer
Review Posted Online: Jan. 11, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.
When Vis is copied into two other realities, he must stop a god from repeatedly culling almost everyone back home.
Thousands of years ago, to prevent the Concurrence from enslaving everyone, the world was split into three near-identical copies: Res, Obiteum, and Luceum. To exist in all three worlds, to wield Will there, is to achieve synchronism. After the events in The Will of the Many (2023), which cost Vis his arm and the life of his friend, Vis achieves Synchronism. While Res-Vis must continue to play Hierarchy politics to find his friend’s killer, Obiteum-Vis finds a ruined world, where the dead are reanimated and used by Ka, the Concurrence, and the only other person to exist in synchronism. Meanwhile, Luceum-Vis is forced into a dispute between druids, their High Council, and their kings—with one king intent on killing him—and Vis has no idea why. On all worlds, Vis is as shrewd as ever, weighing his options, planning ahead, and doing what he must to survive. However, he, too, slowly diverges, doing things he swore he never would: cede his Will, use Will to control someone else, and reveal his true name. If at least one Vis cannot use his synchronism and power of Will to kill the Concurrence, no Vis will be safe, and another Cataclysm will cull those he loves on Res. Book Two of the Hierarchy series is a speculative fantasy that is at once Egyptian post-apocalyptic, Celtic medieval, and Roman dystopian, thanks to the multidimensional setting. Although the sprawling narrative at times overextends itself, Islington rewards patient readers with a compelling story, a cast of complex and diverse characters, and a glimpse into how far a good man can go before he’s lost. A symbol at the start of each chapter delineates which world and Vis it’s about. Readers should read The Will of the Many before attempting this volume, or they may be confused for the first several chapters and beyond.
A unique concept that promises readers will find at least one, if not three, entwined but different narratives to enjoy.Pub Date: Nov. 11, 2025
ISBN: 9781982141233
Page Count: 736
Publisher: Saga/Simon & Schuster
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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