An intriguing mix of myths and monsters that lacks much of the inherent fun but should appeal to UFO and Bigfoot watchers.
A cultural historian digs into the mystique of “fringe topics like Atlantis, or cryptids (Bigfoot, the Loch Ness Monster, and other associated ‘hidden’ animals), or UFOs, or ancient aliens.”
Traditionally, there has been no limit to the amount of theory, conjecture, and speculation that awestruck authors have heaped onto aliens, Bigfoot, or the lost civilizations of Atlantis and Lemuria. But not so with Dickey, whose book Ghostland explored haunted places. Here, the author allows his Fort-ean subjects no quarter, eschewing the paranormal in favor of a steadfast adherence to earthbound explanations of the unknown. In Dickey's eyes, Sasquatch and the Yeti may not be the strange hairy outliers they have always been considered, but that does not make them any less captivating. What the author finds alluring about these particular cryptids has to do with another kind of phenomena entirely—namely, how they have been used in the sublimation and appropriation of Native cultures. “Not unlike sports mascots with their racist caricatures, or hippie boutiques selling dream catchers and peace pipes,” writes Dickey, “the Wild Man lore of the Chehalis and the Nepalese had become a way for white people to romanticize what they were destroying, and a way for disaffected members of the colonizers to find a kind of melancholic reflection in these endangered cultures.” Turning to Betty and Barney Hill’s harrowing tale of alien abduction on a dark New Hampshire road in 1961, Dickey quotes a UFO skeptic that the depiction of the otherworldly kidnappers as “gray” aliens was not fantastic but rather a “way out of the complicated racial politics of the 1960s.” Any true sense of wonder that the author exhibits is aimed at often inscrutable characters like Tom Slick, Charles Fort, and Madam Blavatsky, some of the leading purveyors of extraordinary hokum through the decades.
An intriguing mix of myths and monsters that lacks much of the inherent fun but should appeal to UFO and Bigfoot watchers.Pub Date: July 21, 2020
ISBN: 978-0-525-55756-2
Page Count: 320
Publisher: Viking
Review Posted Online: April 27, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
