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THE SPOILS

A funny and charming Hollywood tale, but one that could have been tighter.

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In Thompson’s novel, a 31-year-old man in Los Angeles with few career prospects begins coaching middle school lacrosse.

It’s 2014, and Ryan Wilson is a 31-year-old aspiring screenwriter who’s become disenchanted by the film industry and upset about his general lack of success: “I was supposed to have things…Tennis lessons and Aesop hand soap. New restaurants I just had to try. The finer things. Thread counts.” This leads him to accept a position as a lacrosse coach at the private Brentwood School. He’s immediately annoyed by the self-important athletic director, Keri,as well as his co-coach, Colby Cuthbert, who lacks appropriate experience and seems more concerned with performing his best approximation of a coach in between comedy gigs. Despite his initial misgivings about the job, Ryan quickly takes to his preteen charges, building a rapport and giving them unique nicknames. He establishes a similar bond with a few of the parents—most notably, Camilla Tourney. Ryan is instantly taken with her, particularly after he learns her husband is a major producer and director. As their friendship, which begins as flirtatious banter, transforms into a full-blown affair, Ryan is torn between his desire for Camilla and his desire to sell a script. Later, the lacrosse team, which has improved under Ryan’s tutelage, makes it to the championship. However, despite Ryan briefly having everything he wants within reach—team victory, romance, a genuine career opportunity—he can’t help but get in his own way. Indeed, as a protagonist, Ryan frequently seems at odds with himself; his internal monologue is full of hyper-specific references (“Venice, California is the Wilco of Los Angeles neighborhoods”), yet in dialogue, he’s mostly vague, though affably irreverent.

Thompson’s tale of one man’s downward spiral into adulthood is, by turns, charming and cringe-inducing—the latter mainly when readers see Ryan falling headlong into a bad decision. However, the novel can be slightly frustrating at times, as some of the more esoteric references during scene-setting could warrant further explanation: “a guy who looked like he produced Doug Liman movies…was probably working at Lakeshore or Bad Robot or HoneyBucket.” For the most part, though, the story’s cultural references are its greatest strengths, as when one character notes how he’d be okay if his wife cheated on him with the actor Matt Dillon: “He’s just threatening enough to be bummed out about but for some reason I could get over it.” However, the dense prose gives the story a meandering fell, and sometimes even undermines the jokes. For example, after a disastrous sexual experience, Ryan muses about Camilla, and his aside lessens the impact of his one-liner: “She finally got the nerve to adulterize—yes, yes: it’s not a noble practice but at the very least the impudent act takes some gall—and all she got was the second to last verse of ‘Desolation Row.’” Thompson is obviously talented, but his constant, fastidious quips sometimes detract from the heart of the piece.

A funny and charming Hollywood tale, but one that could have been tighter.

Pub Date: Feb. 25, 2025

ISBN: 9781957184944

Page Count: 264

Publisher: Onion River Press

Review Posted Online: June 3, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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PEOPLE WE MEET ON VACATION

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

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A travel writer has one last shot at reconnecting with the best friend she just might be in love with.

Poppy and Alex couldn't be more different. She loves wearing bright colors while he prefers khakis and a T-shirt. She likes just about everything while he’s a bit more discerning. And yet, their opposites-attract friendship works because they love each other…in a totally platonic way. Probably. Even though they have their own separate lives (Poppy lives in New York City and is a travel writer with a popular Instagram account; Alex is a high school teacher in their tiny Ohio hometown), they still manage to get together each summer for one fabulous vacation. They grow closer every year, but Poppy doesn’t let herself linger on her feelings for Alex—she doesn’t want to ruin their friendship or the way she can be fully herself with him. They continue to date other people, even bringing their serious partners on their summer vacations…but then, after a falling-out, they stop speaking. When Poppy finds herself facing a serious bout of ennui, unhappy with her glamorous job and the life she’s been dreaming of forever, she thinks back to the last time she was truly happy: her last vacation with Alex. And so, though they haven’t spoken in two years, she asks him to take another vacation with her. She’s determined to bridge the gap that’s formed between them and become best friends again, but to do that, she’ll have to be honest with Alex—and herself—about her true feelings. In chapters that jump around in time, Henry shows readers the progression (and dissolution) of Poppy and Alex’s friendship. Their slow-burn love story hits on beloved romance tropes (such as there unexpectedly being only one bed on the reconciliation trip Poppy plans) while still feeling entirely fresh. Henry’s biggest strength is in the sparkling, often laugh-out-loud-funny dialogue, particularly the banter-filled conversations between Poppy and Alex. But there’s depth to the story, too—Poppy’s feeling of dissatisfaction with a life that should be making her happy as well as her unresolved feelings toward the difficult parts of her childhood make her a sympathetic and relatable character. The end result is a story that pays homage to classic romantic comedies while having a point of view all its own.

A warm and winning "When Harry Met Sally…" update that hits all the perfect notes.

Pub Date: May 11, 2021

ISBN: 978-1-9848-0675-8

Page Count: 384

Publisher: Berkley

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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