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A LONG WAY FROM ST. LOUIE

A lovely, lyrical memoir of an African-American woman's travels through life. McElroy (Queen of the Ebony Isles, etc.; English/Univ. of Washington) is a professor and poet with a yen for travel that goes back to her youth as an army brat and has continued throughout her life. Looking back at that life now, McElroy finds much that is amusing, thought-provoking, poignant, and above all beautiful to relate to her readers. This is not so much a travelogue, as the author herself admits, as a rumination, a meditation, a poem. McElroy tells us about learning to dance in St. Louis, about her experiences as a university student in postWW II Germany, her encounters with butterflies and intestinal ailments in Mexico, the limitations of tour groups and guides (``Here is the burial place of Saint What's-his-halo, and in that crypt, What's-his-sword the Great''), the difficulty of getting to Ulcinj in Yugoslavia (``An interesting place . . . but no one ever goes there''), and the importance of a smile in Japan (``a land where everything was compact and space was at a premium''). She writes prose poems about the midnight market in Lima, Peru, and a series of lyrical pieces, ``The Moon and Malaysia,'' that flow in and out of time and space. And through it all, McElroy's marvelous sense of humor shines out and her deeply felt sense of her otherness—as an American abroad and as a black woman everywhere—colors her musings, giving them texture and depth. This is a stunning piece of writing, and a fitting summary of a life led to the fullest.

Pub Date: April 30, 1997

ISBN: 1-56689-059-4

Page Count: 256

Publisher: Coffee House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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