McElroy (A Long Way from St. Louie, 1997, etc.) recounts her visit to Madagascar, where she hunts and gathers the island’s oral traditions, tapping both the journey and the stories for their sense of magic, their “ancient time.” The University of Washington poet went to the African island country to immerse herself in the fables, legends, myths, and song-poems of village folk artists, not as ethnography but out of love and appreciation. Most of the tales she retells are quick on their feet and short-lived and, not rarely, obscure in an untroubling way. As with most folklore, they contain elements that require listeners to suspend disbelief and accept a certain level of magic at play in order to garner the story’s gift, which often revolves around examples of bravery, morality, responsibility—the wisdom of ancestors. The stories also encompass origin myths, or pose as brief expressions of larger truths: why dogs chase cats, how a child should speak to an adult, how tricksters plot revenge, how places get their names, why and how spouses cheat on each other. Included as well is a sampler of contemporary Malagasy poetry. Cradling the stories is the filigreed narrative of McElroy’s journey through the island. She displays a fine talent for description—the wealth of colors in a clouded sky, “the suddenness of open space,” the bustle of a cattle market, “the waxy scent of dust” in a drowsy noontime square, the way “the sun, filtered through mist, washed the houses in bloodstreaks”—her words, like the landscape, lush to skeletal, allowing readers to call up each place and fix it in their mind’s eye. She also displays a tart humor about all the many vexations of travel, giving her memories an enviable buoyancy. A piquant glimpse into Malagasy storytelling, set to advantage by the kind of poised writing that makes one slow down, read carefully, savor. (Color and b&w photos)
Pub Date: Oct. 1, 1999
ISBN: 0-295-97824-4
Page Count: 350
Publisher: Univ. of Washington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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