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LETTERS TO A YOUNG WRITER

SOME PRACTICAL AND PHILOSOPHICAL ADVICE

Pithy, wise, and gently encouraging advice from an acclaimed fiction writer.

A demonstration of how precision, care, and hard work are the writer’s crucial tools.

McCann (Creative Writing/Hunter Coll.; Thirteen Ways of Looking, 2015, etc.), winner of a National Book Award and many other honors, draws upon 20 years of teaching to offer more than 50 brief chapters focused on all stages of the writing process. Although intended for beginning writers, the volume would be helpful to experienced writers, as well. Anyone hoping for rules, however, will instead find many lyrical aphorisms. Prose is “as close as you’ll get to dancing. Listen to it create itself.” As for plot, it must “twist our hearts in some way.” McCann sees writing as discovery of one’s self and the world: “Don’t write what you know, write toward what you want to know. Step out of your skin. Risk yourself.” Writing can begin with a philosophical idea or an obsession, but writers should be careful about becoming didactic. “You are not here,” writes the author, “to represent cultures or grand philosophies. You don’t speak for people, but with people.” Those people are invented characters, whom writers must know intimately. Details about motivations, foibles, and eccentricities all contribute to a character’s depth and credibility, even if those details do not find their way into the narrative. “What terrifies them? What do they feel most guilty about?” are among questions a writer needs to ask. Writers must read “adventurously. Promiscuously. Unfailingly” to develop an astute awareness of how narrative and sentences are built. Assuming that awareness, McCann tosses out myriad alternatives for writing issues such as structure and plot. Unlike many other writing guides, this one addresses finding an agent and editor and the “shell game” involved in getting a blurb. The author cautions against measuring one’s achievements against other writers and, refreshingly, advises, “don’t get too attached to the romantic illusions of yourself” and about the writing life. “Being a writer is not about cocaine or the White Horse Tavern.”

Pithy, wise, and gently encouraging advice from an acclaimed fiction writer.

Pub Date: April 4, 2017

ISBN: 978-0-399-59080-1

Page Count: 176

Publisher: Random House

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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