by Con Lehane ‧ RELEASE DATE: Nov. 4, 2025
Consistently more powerful in its exploration of the Red Scare than in its invocation of contemporaneous noir tropes.
Leaving behind the quiet yet murderous settings of Murder at the College Library (2024) and its predecessors, Lehane’s most impassioned and ambitious novel plunges into the anti-communist frenzy of 1950.
Mick Mulligan was fired from his job as a Disney animator when he refused to name names to the FBI. Now that his wife has left him and taken their toddler daughter, he’s hung out his shingle as a private eye. When Duke Rogowski, president of the United Taxi and Limousine Drivers, asks Mick to reopen the case of Harold Williams, a Black communist on death row for shooting his boss, cab company owner Irwin Johnson, Mick’s intrigued by the call. But he has questions of his own. What possible leads can there be that the police haven’t already investigated? Why did Duke wait a year after Williams’ conviction to make this move, only two weeks before his scheduled execution? And how can Mick tack between the wishes of Duke’s two vice presidents, self-identified communist Sol Rosen, who’s eager to see Williams exonerated, and mob boss Vincent Forlini, who’s firmly opposed to troubling the waters? The more deeply involved Mick gets with the richly detailed cast of interested parties—rabid anti-communists, communists and socialist organizers of every stripe, FBI informers, and three beautiful women: Duke’s wife, Cynthia; Johnson’s widow, Eva; and Elena DeMarco, the sister of Williams’ co-worker and friend—the more he realizes that the conflicts that led to Johnson’s murder are a lot more complicated than J. Edgar Hoover evidently assumes.
Consistently more powerful in its exploration of the Red Scare than in its invocation of contemporaneous noir tropes.Pub Date: Nov. 4, 2025
ISBN: 9781641297202
Page Count: 400
Publisher: Soho Crime
Review Posted Online: Sept. 13, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Richard Osman ‧ RELEASE DATE: Sept. 22, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
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Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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