A quietly devastating but somehow hopeful tale.
Inspired by a heartbreaking true story, De Gregorio’s remarkably restrained novel follows the events that ripple out in the aftermath of tragedy.
The story is simple but mysterious. Shortly after Italian attorney Irina separates from her controlling Swiss husband, Mathias, he disappears with their twin 6-year-old daughters. Five days later, he kills himself, and the girls are nowhere to be found. The police are of little help, and Irina is left to try to assemble a new life for herself, always hoping the children will somehow be located. By the time the novel takes place, several years have passed, and Irina, though still grief-stricken, has fallen in love with gentle Spaniard cartoonist Luis and is surprised to find that suddenly “everything feels like a surprise and a gift.” De Gregorio constructs her brief but potent novel out of sharp fragments: There are letters from Irina to her beloved grandmother and to the marriage counselor who refused to speak to her after Mathias disappeared, Irina's matter-of-fact recollections of the events leading up to the kidnapping, and lists of things that make Irina angry (the inefficiency of the police) or happy (humpback whales and “red wine, when it’s good”). There are also sections labeled “Me About You,” in which the narrator, a writer who has become close to Irina, lets loose her own emotions about the case and her feelings about how Irina has survived. It’s a story about that “missing word” of the title, a word lacking in most languages, a word for parents who have lost children, and the narrator affirms that “losing a child is the touchstone of grief, the gold standard of pain.” The daring of the novel is that Irina is not defined simply by that loss, as she might be in a lesser one: Her life is shaped by the disappearance of the children but not destroyed by it.
A quietly devastating but somehow hopeful tale.Pub Date: July 5, 2022
ISBN: 978-1-60945-762-4
Page Count: 112
Publisher: Europa Editions
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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