Fowler (Sugar Cage, 1992) returns to the wilds of Florida in her second novel, using cleverly alternating viewpoints (evident at many section breaks) to weave the lives of three generations of women into a tender and wistful story. Sadie is a middle-aged woman who lives on the small boat that she inherited upon her mother and grandmother's deaths when she was nine years old. Her life has little direction; between tumultuous visits from her passionate Cuban lover, Carlos, she leads wealthy tourists on boating expeditions in the Florida Keys, taking advantage of their captive ears to recount the family tales once told to her by her mulatto mother and her Native American grandmother. After a bumpy start, Fowler settles into a comfortable rhythm that switches back and forth between the story of Sadie's vacillating relationship with Carlos and the stories of Sadie's forebears: tales about her grandmother Mima being kidnapped from the Oklahoma plains; about the illicit affair between Mima and Sadie's grandfather, Mr. Sammy; and about the angry silence between her mother and grandmother that ended only when her grandmother embraced her heritage. Sadie worries that her stories, rooted in imagination and mysticism as much as in memory, are tied only tenuously to reality. Where, she wonders, does history end and fabrication begin? The mummified body of a child that Sadie and Carlos find in the water after a storm prompts them to take action; the two navigate the winding rivers to St. Augustine in search of a suitable place to bury the child's body, and of a way to reconcile Sadie's future with her past. Though Sadie is unaccountably cranky, when she spins a yarn she weaves magic. And while she occasionally leaves little to a reader's own imagination, Fowler's lyrical writing and vivid, poignant portraits surmount her overstatements in this memorable book.
Pub Date: April 13, 1994
ISBN: 0-399-13912-5
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.
A group of friends at a British college, all connected to the same charismatic scholar of Agatha Christie’s work, are torn apart by secrets and deceptions.
When Jess Walker begins to contemplate going to college, there is only one clear choice: She has to attend the university where Dr. Lorna Clay teaches. Lorna is the author of The Truants, a brilliant work arguing that great artists must destroy their personal lives to create, which has captured Jess’ imagination ever since she was given the book by her uncle. Once Jess starts college in East Anglia, she strikes up a friendship with Georgie, a wealthy socialite with a proclivity to dipping into her mother’s pill drawer; Alec, a 20-something white South African journalist on fellowship at the university; and Nick, a geology student who quickly falls for Jess. A middle child from a farming village, Jess instantly feels her life become more vibrant in the company of her exotic companions. And at the head of it all is the brilliant Lorna, who permeates the boundaries of their lives as students to attend their parties and become their confidante and, eventually, their friend, especially to Jess, who wants to follow in Lorna’s footsteps professionally and personally. But as the relationships among the five become more and more tangled, a tragedy suddenly shatters their lives, forcing Jess to confront the illusory nature of really knowing another. Aside from some slight plausibility issues (if only teenagers’ lives were changed by works of literary scholarship!), Weinberg has written one of the best thriller debuts in recent years, with all the cleverness of Ruth Ware (and, yes, even Christie herself) and a dash of Donna Tartt’s edgy darkness.
Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.Pub Date: Jan. 28, 2020
ISBN: 978-0-525-54196-7
Page Count: 320
Publisher: Putnam
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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