An intriguing, if scattershot, novel that would have benefited from substantial tightening.
Obsession and dark magic collide in this labyrinthine blending of horror, fantasy, romance, and a touch of mystery.
It's 1968, and at the ripe old age of 22, Gemma Turner, a fading star of American beach movies, finds her career in a shamble. She has one final chance at stardom when she lands a role in L’Étrange Lune, a French Nouvelle Vague horror film directed by arrogant and self-aggrandizing Thierry Valdon. Soon after shooting begins, though, Gemma vanishes from set and finds herself trapped within the world of the film as mysterious and malevolent forces pull the strings. Back in the real world, Gemma’s disappearance remains shrouded in mystery, and no one is more haunted by it than Christopher Kent, a Columbia film student in 1997. For more than 20 years, he been searching for reasons for his late mother's apparent hatred of the presumed-dead actress, and now he finds himself one of 75 people invited to attend a rare screening of L’Étrange Lune, with all the pomp and melodramatic circumstance one might expect of a secret society. While the book’s concept holds phenomenal potential, the execution drags. The awkward blending of genres may disappoint fans of horror and romance alike as large stretches of the book seem to completely forgo one or the other. The horror elements are never quite unnerving, and the romances suffer from a tell-don’t-show approach. Though the payoff connects all the loose strings, making for an entertaining section at last, the intriguing premise is hampered by the book's sheer length and uneven pacing. Sayers has demonstrated the importance of killing one’s darlings, as too many of this novel’s more than 400 pages would have been better off left on the cutting-room floor.
An intriguing, if scattershot, novel that would have benefited from substantial tightening.Pub Date: Nov. 14, 2023
ISBN: 9780316493741
Page Count: 448
Publisher: Redhook/Orbit
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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